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  • av Michael Townsend Smith
    199,-

    MICHAEL TOWNSEND SMITH has released a truly pocket-size little pink book entitled "How to Be Funny." It consists of 1600 or so exclamations, insights, and observations - or one might say "wisdom and wisecracks" - sentences about the titular theme, ranging from one to ninety-four words, arranged in little sequences like poems . . . You may feel an urge to dispute one of Mister Smith's assertions or arguments, only to find soon after that he lightheartedly disputes it himself, which may be the funniest thing about this very funny, very provocative little book.Robert Patrick

  • av Michael Townsend Smith
    281,-

  • av Michael Townsend Smith
    187,99

  • - An American Life
    av Michael Townsend Smith
    552,-

    Me & Others is the story of my whole life from birth in Kansas City to vigorous old age in rural Oregon, with eventful interludes in New York City, eastern Connecticut, Taos, and Santa Barbara. I have had great joy and exasperation in getting to know myself and others. I have loved and lost and loved again. I have brought children into the world. I have had ineffable satisfactions in putting on plays, writing and publishing books, and playing music. I wanted to tell it all and say how it was for me.

  • - A Life in Theatre
    av Michael Townsend Smith
    187,99

    Memoir of a life in theatre by Michael Smith, playwright, critic, producer, lighting designer, a key player in the Off-Off-Broadway theatre movement of the 1960s and beyond.

  • av Michael Townsend Smith
    369,-

    Writing theatre criticism for The Village Voice from 1957 to 1974, Michael Smith lucked into an extraordinarily dynamic period in American theatre. Broadway-style commercialism was stifling innovation in the early sixties. In response, a new alternative theatre emerged in lofts, storefronts, churches, and coffeehouses radiating out from Greenwich Village. This generous selection of reviews from Smith's "theatre journal" columns in The Voice gives a sense of the range, seriousness, and energy of the brilliantly imaginative artists he encountered in more than a decade of intensive theatre-going,

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