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  • av Miguel Cané
    162,-

    Miguel Cané fue un claro exponente de la llamada Generación del 80. Colaboró con numerosos diarios y dejó una vasta producción literaria. Sus escritos apelan recurrentemente a la materia autobiográfica. Quienes lo conocieron conciden en subrayar que fue un hombre culto. Afirman que era distinguido, humorista y escéptico, que solía escribir sobre sus viajes, los países en los que residió y sus lecturas.Estas Cartas de Miguel Cané son una recopilación de epístolas dirigidas gran parte de ellas a su madre. Aquí se relatan sus experiencias vividas a través de sus viajes, evocando la sentida nostalgia por el entorno familiar y el recuerdo de una infancia ya lejana.

  • av Miguel Cané
    278,-

    Dive into the world of Argentine literature with this collection of essays from noted writer Miguel Cané.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Miguel Cané
    426,-

    Un relato detallado y emotivo sobre las aventuras y desventuras de un viajero argentino en tierras venezolanas y colombianas a finales del siglo XIX. Miguel Cané ofrece una visión aguda y a menudo irónica de las costumbres, paisajes y gentes de estas naciones sudamericanas, y nos invita a descubrir su rica historia y patrimonio cultural.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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