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This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review
In 1973 Viktor Duvakin taped six interviews with Mikhail Bakhtin over twelve hours. They remain our primary source of Bakhtin's personal views. Mikhail Bakhtin: The Duvakin Interviews, 1973, translated and annotated here from the tapes, offers a fuller, more flexible image of Bakhtin than we could have imagined beneath his now famous texts.
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