Bøker av Ms Wen-chin Ouyang

Uncovers the politics of nostalgia and madness inherent in the Arabic novel.The Arabic novel has taken shape in the intercultural networks of exchange between East and West, past and present. Wen-chin Ouyang shows how this has created a politics of nostalgia which can be traced to discourses on aesthetics, ethics and politics that are relevant to cultural and literary transformations of the Arabic speaking world in the 19th and 20th centuries. She reveals nostalgia and madness as the tropes through which the Arabic novel writes its own history, as a story of grappling with and resisting the hegemony of both the state and cultural heritage.Key Features* Shows madness to be an expression of the anxiety surrounding the Arabic novel's search for form, and Arab intellectuals' disappointment in the nation-state and modernisation* Explores the work of novelists including Naguib Mahfouz, 'Abd al-Khaliq al-Rikabi, Jamal al-Ghitani, Ben Salem Himmich, Ali Mubarak, Adonis, Mahmoud Darwish and Nizar QabbaniKeywords: The Arabic novel; Arabic storytelling; Nation and national history; Identity; Subjectivity; Intertextuality; Nostalgia; Cultural heritage and tradition; Madness; Ideology of madness; Semiotics of tyranny; Naguib Mahfouz/Najib Mahfuz; 'Abd al-Khaliq al-Rikabi; Jamal al-Ghitani/Gamal Ghitany; Ben Salem Himmich; Ali Mubarak; Adonis/Adunis; Mahmoud Darwish; Nizar Qabbani; Biography/autobiography; Historiography.