Bøker av Nancy (University of Auckland) November

"The many and varied domestic musical arrangements of opera that circulated in Vienna provide a unique window on the world of nineteenth-century amateur music-making. This study takes a novel stance for musicology, prioritising musical arrangements over original compositions, and female amateurs' perspectives over those of composers"--

This Element focuses on Vienna, and an important era in the culture of arrangements in which they were widely and variously cultivated, and in which canon formation and the conception of musical works underwent crucial development. Musical arrangements have shaped the social, musical, and ideological landscape in this era to a great degree.

In the first detailed contextual study of Beethoven's middle-period quartets, Nancy November explores reception history, early performance practices and aesthetic contexts. Detailed analyses provide new historical understanding of physical, visual, social, ideological and theatrical aspects of this music, offering a fresh critique of key paradigms in current Beethoven studies.