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Le livre des merveilles: contes pour les enfants tirés de la mythologie. Partie 2 / par Nathaniel Hawthorne; traduits de l'anglais, par Léonce Rabillon; et illustrés de 40 vignettes sur bois par BertallDate de l'édition originale: 1885-1882Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
The "Wonder-Book" is a children's book, made up of classic legends, re-told for them, and set in a slight frame-work, as entertainment given to a company of children at Tanglewood. Here are the stories of King Midas, Pandora, Medusa, Hercules, and the other inhabitants of Mount Olympus. Children and adults will happily enter a world of magic and imagination, led by Nathaniel Hawthorne one of the greatest American storytellers.
This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
This compilation of short stories by Nathaniel Hawthorne gained its name from the fact all had appeared in magazines and periodicals before comprising part of this book.Released in 1837, the Twice-Told Tales range in genre from the mystery fiction from which Hawthorne made his name, to sensuous and emotional tales depicting pastoral life and events, to horror stories filled with tension. As with his masterworks, many of the stories pay attention to the distant past; a fascination for Hawthorne.Many are inspired by existing folk tales and allegorical stories, and are placed into the short story form so the reader may enjoy them with ease in a single sitting. Born with the gift of compelling characterisation, Hawthorne's stories share a common strain in grabbing and holding the reader's attention - a trait which is maintained even to the modern day.Although initially unpopular and struggling to sell, the Twice-Told Tales were lauded by critics and fellow literary personages of the 19th century.
This compilation of short stories by Nathaniel Hawthorne gained its name from the fact all had appeared in magazines and periodicals before comprising part of this book.Released in 1837, the Twice-Told Tales range in genre from the mystery fiction from which Hawthorne made his name, to sensuous and emotional tales depicting pastoral life and events, to horror stories filled with tension. As with his masterworks, many of the stories pay attention to the distant past; a fascination for Hawthorne.Many are inspired by existing folk tales and allegorical stories, and are placed into the short story form so the reader may enjoy them with ease in a single sitting. Born with the gift of compelling characterisation, Hawthorne's stories share a common strain in grabbing and holding the reader's attention - a trait which is maintained even to the modern day.Although initially unpopular and struggling to sell, the Twice-Told Tales were lauded by critics and fellow literary personages of the 19th century.
Hawthorne's spectacular and thoughtful tale of love within a utopia demonstrates the author at his most accomplished and flowing.Miles Coverdale is our protagonist: his chief aim is to improve the lives and community of Blithedale Farm. We hear the myth of the Veiled Lady, a popular clairvoyant who promptly disappears from the community. Shortly thereafter at a dinner between the members of the small community, a friend of Coverdale named Hollingsworth arrives carrying a pallid young girl in his arms - she is accepted into the group, and immediately strikes up friendships. Unusual for a romantic novel for its mystical and mythical references, The Blithedale Romance often diverts to philosophical and religious topics with themes such as life and death, the rights of women, and clairvoyance appearing. Through his abilities as an author, Nathaniel manages to build interesting characters and relationships amid this reflective eclecticism.
Hawthorne's spectacular and thoughtful tale of love within a utopia demonstrates the author at his most accomplished and flowing.Miles Coverdale is our protagonist: his chief aim is to improve the lives and community of Blithedale Farm. We hear the myth of the Veiled Lady, a popular clairvoyant who promptly disappears from the community. Shortly thereafter at a dinner between the members of the small community, a friend of Coverdale named Hollingsworth arrives carrying a pallid young girl in his arms - she is accepted into the group, and immediately strikes up friendships. Unusual for a romantic novel for its mystical and mythical references, The Blithedale Romance often diverts to philosophical and religious topics with themes such as life and death, the rights of women, and clairvoyance appearing. Through his abilities as an author, Nathaniel manages to build interesting characters and relationships amid this reflective eclecticism.
The Scarlet Letter is Nathaniel Hawthorne's crowning achievement, a masterpiece that has stood the time. Hester a young woman whose husband has been lost at sea becomes pregnant by another man. Though the Puritan community in which she lives demands to know the name of the father she steadfastly refuses to name him. Hawthorne explores hypocrisy, quiet dignity, and redemption in this land mark novel. A must read.
Nathaniel Hawthorne?s classic of gothic literature follows the Pyncheon family in pre- and post-colonial New England, in their ancestral home; the titular House of the Seven Gables.Published in 1851 at the height of the Gothic fiction craze, Hawthorne's book follows two time frames: one involves flashbacks to the late 17th century, while the other is set in the author's present day of the mid-19th century. We witness the events leading up to the Salem witch trials, and the construction of a house which came to epitomise the foreboding gloom of late Gothic architecture. We hear how the very construction of the house was unjust, the land was seized from its rightful owner via cynical accusations of witchcraft. The newly-built mansion is thought to harbor a curse when Colonel Pyncheon dies during its housewarming party. Thereafter this event overshadows the lives of the Pyncheon family members, who begin to feel the house and its grim legacy weigh on their shoulders.
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