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A lavishly illustrated historical analysis of Britain's nineteenth-century labour movement, built around a collection of the things and images that its members made and used. Suitable for academic and lay readers alike.
This book offers the first encounter between labour history and military history, with an analysis of the working lives of nineteenth British rank and file soldiers in the context of a developing working class industrial culture and in its interaction with British society.
What am I referring to when I say ''I''? This little word is so easy to use in daily life, yet it has become the focus of intense theoretical debate. Where does my sense of self come from? Does it arise spontaneously or is it created by the media or society? Do I really know myself? This concern with the self, with our subjectivity, is now our main point of reference in Western societies. How has it come to be so important? What are the different ways in which we can approach subjectivity?Nick Mansfield explores how our understanding of our subjectivity has developed over the past century. He looks at the work of key modern and postmodern theorists, including Freud, Foucault, Nietzsche, Lacan, Kristeva, Deleuze and Guattari, and he shows how subjectivity is central to debates in contemporary culture, including gender, sexuality, ethnicity, postmodernism and technology.I am who? No topic is more crucial to contemporary cultural theory than subjectivity, and Nick Mansfield has written what has long been lacking-a lucid, smart introduction to work in the field.Professor Simon During, University of MelbourneEffortlessly and with humour, passion and panache, Mansfield offers the reader a telling, trenchantly articulate d account of the complex enigma of the self, without resorting to reductively simple critical cliches.This book, in its graceful movements between disciplines, ideas, and areas of interest, deserves to become a benchmark for all such student introductions for some time to come.Julian Wolfreys, University of FloridaNick Mansfield is Senior Lecturer in the Department of Critical and Cultural Studies at Macquarie University. He is co-author of Cultural Studies and the New Humanities (Oxford 1997) and author of Masochism: The art of power (Praeger 1997).
Through a study of the representations of masochism in literature, psychopathology, philosophy, and cultural theory, Mansfield challenges our fundamental assumptions about masculine power in the postmodern era, arguing that masculine power has become masochistic.
Outlines Jacques Derrida's thinking on sovereignty in relation to subjectivity through an investigation of the late work "Rogues: Two Essays on Reason". This book detects in Derrida's thinking of sovereignty - a theme that increasingly attracted him towards the end of his life - the outline of Bataille's adaptation of Freud.
The concern with the self, with our subjectivity, is the main point of reference in modern Western societies. This work explores how notions of subjectivity have developed over the 20th century, analyzing the work of modern and postmodern theorists such as Freud, Foucault, and Haraway.
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