Bøker av Nicola Slade

A story of Family, Rationing and Inconvenient Corpses.Life in 1918 has brought loss and grief and hardship to the three Fyttleton sisters. Helped only by their grandmother (a failed society belle and expert poacher) and hindered by a difficult suffragette mother, as well as an unruly chicken-stealing dog and a house full of paying guests, they now have to deal with the worrying news that their late - and unlamented - father may not be dead after all. And on top of that, there's a body in the ha-ha.

'Had I gone completely crazy that first day? To open the door, take one astonished look round, and decide on the spot that I would live there? To fall in love with a house?' When Freya Gibson inherits an old, run-down property she has no idea she is the last in a long line of redoubtable women, including the Tudor nun who built the house. Unknown to Freya, these women, over centuries, fought with whatever weapons came to hand - deception, endurance, even murder - to preserve their home and family. Freya falls in love with the house, but her inheritance includes an enigmatic letter telling her to 'restore the balance' of the Lady's Well. Besides this, the house seems to be haunted by the scent of flowers.In the past, the Lady's Well was a place of healing, and Freya soon feels safe and at home, but she has demons of her own to conquer before she can accept the happiness that beckons.

Gone are the days when recording an album required a large, expensive recording studio and piles of ultra hi-tech equipment. Lily Allen's myspace video netted her no.1 in the UK singles chart and an NME nomination, folk singer Seth Lakeman made an album in his kitchen for 300 and has been nominated for a Mercury Prize. And of course, there's the Arctic Monkeys - winners of a Mercury Prize, a Brit Award and two NME awards, who marketed their album through demo tapes and file sharing. Nicola Slade shows how anyone can record and mix killer music from the comfort of their bedroom. The author explains what hardware, software and mixing equipment is required, and includes a history of the digitisation of music, advice on marketing and promoting your music and contributions from DIY music artists who have made it big.