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Bundling my writings representing my life in this latest stage clarifies my concerns during years in isolation, as a widow, with new friends without old friends when one must build strengths from a lifetime of strengths and weaknesses. This is my contribution to that effort inspired by those who encouraged me to do it. One never quite knows what is in Pandora's Box.
In the Garden of Old Age is a series of poems about memory - collected ideas from a rich life with continuous interactions -- ideas and people, spaces and inner thoughts colliding daily in these summary years which pile up and tumble to the pages like leaves in fall. This will be ongoing…
Celebrating the Soul of Cleveland summarizes a life in Cleveland, a city whose very identity provides sustenance and support to all who welcome it into their heart. The project started with a simple discussion. The premise of this book and for the projects described in it is: Evolution.Community Arts Leader, and Cleveland Arts Prize winner, Nina Gibans loves our collective "aha" moments, when we "get it" and roll along - excited - together. Using images, stories, poems, interviews, reflections, and reminiscences Nina weaves together a new gestalt, a whole that is often present long before the pieces are put into place. A lifetime of experiences, encounters, discussions, are the parts of this, a multi-tasking of the mind, combined until they find the parts make sense and there is a city - a community."Here is to all of the men, women, and children who have stuck with me through my life of joyous adventures and to the support of a loving caring husband and friendly critic whose bloodstream ran in the same direction as mine." - Nina Gibans
On May 10th 2018, Jim Gibans, Nina's husband of more than 60 years died. In April of 2018, when Jim's health started to decline, Nina wrote to him, she wrote him poetry. She wrote him a poem almost every day. And she read them to him. Rosepetals: towards memory... is a collection of poetry by Nina Gibans in honor and celebration of her late husband Jim Gibans.
This book is an analysis of the movement's functions and activities. It presents the history of the movement as it has been captured and recorded by the first generation of people who have been involved. Second edition with a new Introduction. It has been twenty-five years from the first printing of The Community Arts Council Movement: History, Opinions and Issues. So, what has changed? What is similar? Reviewing recent summaries of anniversaries and activities, one is struck by the resonance of the original concerns and the progress made: recognizing and keeping community arts issues a priority on all levels-in these years, they have become central; enabling the partnership among federal, state and local partnerships to grow and flourish perhaps beyond all expectation; developing a voice for effective advocacy-we've come a long way. But like everything else we have experienced on these levels, there is always work ahead and the "now" changes as people come into and exit the picture. No one, and no one group, is really independent of the others in the support fabric. The Community Arts Council Movement is a history of the movement which traces its beginnings to models in the health and welfare fields. It presents the history of the movement as it has been captured and recorded from people who have been involved. Research for the book includes written materials from various councils; about 150 discussions with specialists and practitioners from urban councils and regional, county and rural organizations; and questionnaires completed by movement founders, community arts administrator trainers, and local and national political figures who have promoted community arts to their peers. "This book should be required reading in order to understand the historical context of our own efforts as we map the future of the arts in our communities." - Peggy Spaeth, Director of Heights Arts "From arts administrators and arts educators, to government officials and interested citizens, this book has played a key role in illuminating the work of the nonprofit arts in America." - Robert L. Lynch, President and CEO, Americans for the Arts
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