Bøker av Ovid

Ovid's sequence of fifteen witty and playful poems sketches the history of the world from its creation to the poet's own time through a series of transformation myths in which gods and goddesses succumb to all-too-human passions, not least in the matter of love.

Focuses on Greek mythology, Latin folklore and legend from ever further afield to create a series of narrative poems, ingeniously linked by the common theme of transformation.

Bringing together a series of ingeniously linked myths and legends, Ovid's deliciously witty and poignant Metamorphoses describes a magical world in which men and women are transformed - often by love - into flowers, trees, animals, stones and stars. First published in 1567, this landmark translation by Arthur Golding was the first major English edition of the epic, which includes such tales as the legend of Narcissus; the parable of Icarus; and the passion held by the witch-queen Circe for the great Aeneas. A compelling adaptation that used imagery familiar to English sixteenth-century society, it powerfully influenced Spenser, Shakespeare and the character of Elizabethan literature.

In Fasti Ovid (43 BCE-17 CE) sets forth explanations of the festivals and sacred rites that were noted on the Roman calendar, and relates in graphic detail the legends attached to specific dates. The poem is an invaluable source of information about religious practices.

In Heroides, Ovid (43 BCE-17CE) allows legendary women to narrate their memories and express their emotions in verse letters to absent husbands and lovers. Ovid's Amores are three books of elegies ostensibly about the poet's love affair with his mistress Corinna.

In the penultimate book of his epic Metamorphoses, Ovid continues his literary challenge to Virgil's Aeneid, narrating erotic adventures from early Italian myth and scenes from early Roman history through Romulus' reign. This commentary is designed for advanced undergraduate and graduate students, but will also interest scholars of Latin literature.

"What would Greek and Roman myth look like if women had written the stories?" asks Tara Welch in her illuminating Introduction to this volume. Stanley Lombardo and Melina McClure's faithful translation of Ovid's famous letters, purportedly written by heroines of classical antiquity to their absent lovers, offers an inkling of one intriguing possibility.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"The Art of Love" or "Ars amatoria" is a three-book instructional elegy series written by the ancient Roman poet Ovid in 2 AD. The first book offers advice to men on finding a woman, while the second book focuses on how to keep her. The third book, written two years later, provides guidance for women on winning and maintaining a man's love. Ovid covers various topics in the books, including remembering important dates, creating longing in the relationship, and avoiding certain questions. Despite being completed in 2 AD, much of Ovid's advice remains relevant today. The book combines mythological references, daily Roman life, and human experiences to entertain its readers. Ovid employs irony and wit in discussing love, likening it to military service and emphasizing the need for mutual fulfillment. While the book addresses sexual matters, Ovid maintains a discreet and tasteful approach, avoiding obscenity. The series concludes with a discussion of sexual positions, with Ovid humorously suggesting that tall women should avoid certain postures. Composed in elegiac couplets, "Ars amatoria" serves as a practical guide or "textbook" rather than a purely artistic endeavor.

A modern translation of the ancient Roman poet Ovid's Remedies for Love--a witty and irreverent work about how to fall out of love Breakups are the worst. On one scale devised by psychiatrists, only a spouse's death was ranked as more stressful than a marital split. Is there any treatment for a breakup? The ancient Roman poet Ovid thought so. Having become famous for teaching the art of seduction in The Art of Love, he then wrote Remedies for Love (Remedia Amoris), which presents thirty-eight frank and witty strategies for coping with unrequited love, falling out of love, ending a relationship, and healing a broken heart. How to Get Over a Breakup presents an unabashedly modern prose translation of Ovid's lighthearted and provocative work, complete with a lively introduction and the original Latin on facing pages. Ovid's advice--which he illustrates with ingenious interpretations of classical mythology--ranges from the practical, psychologically astute, and profound, to the ironic, deliberately offensive, and bizarre. Some advice is conventional--such as staying busy, not spending time alone, and avoiding places associated with an ex. Some is off-color, such as having sex until you're sick of it. And some, for modern readers, is, simply and delightfully, weird--such as becoming a lawyer and not eating arugula. But far more often, How to Get Over a Breakup reveals an Ovid whose advice--good or bad, entertaining or outrageous--can sound startlingly modern.