Bøker av Parthiv Shah

I am not an elephant, and neither are you. As humans, we tend to forget things. When we forget to do what we COULD HAVE, and SHOULD HAVE done to a client, we cause brand damage. When we forget to do what we COULD HAVE and SHOULD HAVE done to a prospect, we have unconverted leads and lost opportunities. Let this book and the companion toy elephant (along with your well-appointed CRM, Marketing Automation & Sales Automation platform) be the B.R.E.N.T. (Business Relationship System for your ENTERPRISE). BRENT Never forgets, and with Brent on your desk, neither will you.

Just like your REAL ESTATE is your PLACE of doing business on earth, your PIXEL ESTATE is your PLACE of doing business on the internet.And in today's day and age, the road to your REAL ESTATE goes through your PIXEL ESTATE.Most businesses have well appointed REAL ESTATE but may not have a well appointed PIXEL ESTATE to match & mirrortheir identity.Your PIXEL ESTATE is the FIRST thing your prospects and client see before interacting with you.What are YOU willing to put your name on?

Art as Witness is a cluster of barbed writings and biting images from the underbelly of turbulent India and its neighboring countries. Relying on the sustained work of eminent photographers and artists on rights issues in and around South Asia, and on writings by courageous activists, lawyers, journalists, and social scientists, the book focuses on the terror unleashed by armies, states, and courts of law, and tells the stories of brave survivors. Here, text and image are strained to their limits to convey the hopes and anguish of prisoners, death-row victims, murder-victim families, families of missing people, populations living under martial law, and displaced communities, in a world where democratic rights and freedoms are shrinking every day.Based on Amnesty International India's 'Art for Activism' project, this book hopes to strengthen global campaigns for a world without fear and torture, a world without death penalty, or disappearances and custodial violence. It hopes to reach out to a wider and more diverse readership/viewership through its parallel narrative of images as visual testimonies, and spillover references to the popular worlds of cinema, music, slogan, and performance.