Bøker av Patricia Anne Simpson

Volume 30 features special sections on "unexpected bodies" and on new directions in eighteenth-century studies (on Enlightenment, whiteness, and race), as well as a range of other articles.

Western neoliberalism is a predatory outgrowth of late capitalism that overvalues competition, transferring the laws of the market to human relationships. This book advances the argument that anti-neoliberal cinemas of Europe, the United States, and the Russian Federation imagine and visualize alternatives to the non-sovereign realities of a neoliberal workplace that unequivocally endorses dangerous risk-taking, self-optimizing neoliberal subjects, and corporate 'entrepreneurs of self.' Always at stake in the examination of neoliberalism's consequences is a human being who is indexed by race, gender, nation, ability, and economic performance. Drawing on film theory, transnational social histories, critical race theory, and Marxist and Foucauldian interpretive models, this book rediscovers a cinema that imagines a social contract focused on the common good and ethical standards for the social state. Anti-neoliberal cinema empowers the viewer as agentive through narratives that detail resistance to Western neoliberal modes of living and working. These filmmakers dramatize the labor of making solidarity across different groups.

Volume 29 features articles on Anton Reiser; the legacies of German romanticism; Goethe's morphology and computational analysis; Goethe commemorations in Argentina; and Goethe's Weltliteratur in the context of trade with China, along with two special sections and the book review.

A new Forum section focuses on the impact of Digital Humanities on Goethe scholarship and on eighteenth-century German Studies, alongside articles on a diverse range of authors and topics.The Goethe Yearbook is a publication of the Goethe Society of North America, showcasing North American and international scholarship on Goethe and other authors and aspects of the Goethezeit. Volume 27 features the yearbook's first Forum, a discussion of the impact of Digital Humanities (DH) and "e;computational criticism"e; on Goethe scholarship and eighteenth-century German Studies more broadly. For this launch, invited contributors were askedto consider the canon in comparison to "e;the great unread"e; (Margaret Cohen): the vast expanse of uncanonized texts. The contributions evince approaches that go beyond the established binary of scholarly methods vs. data sciences; they also explore DH as a way of navigating the gendered fault lines of canon formation. Beyond the Forum, there are articles on Goethe's self-marketing, on several of his major works, and on pivotal topics in them (orientation, der Gang, and transgression); on nascent anthropology, on Creativity Studies, and on other eighteenth-century figures (Rahel Levin Varnhagen, Karl Phillip Moritz). A newly discovered text by August von Kotzebue, sample entries fromthe prodigious work in progress Lexikon of Philosophical Concepts, and the customary book review section round out the volume. Richard B. Apgar, Constanze Baum, Jane K. Brown, Matt Erlin, Renata Fuchs, Matthew Handelman, Katrin Henzel, Stefan Hoppner, Julie Koser, James Manalad, Clark Muenzer, Maike Oergel, Andrew Piper, Mattias Pirholt, Michael Saman, Renata Schellenberg, Helmut J. Schneider, Oliver Simons, Leif Weatherby, George S. Williamson, Karin A. Wurst. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln. Birgit Tautz is George Taylor Files Professor of Modern Languages at Bowdoin College. Book review editor Sean Franzel is Associate Professor of German at the University of Missouri-Columbia.

A collection of essays achieving a deeper understanding of the historical roots and theoretical assumptions that inform the realities and fantasies of German female leadership.The Western tradition of excluding women from leadership and disparaging their ability to lead has persisted for centuries, not least in Germany. Even today, resistance to women holding power is embedded in literary, cultural, andhistorical values that presume a fundamental opposition between the adjective "e;female"e; and the substantive "e;leader."e; Women who do achieve positions of leadership are faced with a panoply of prejudicial misconceptions: either considered incapable of leadership (conceived of as alpha-male behavior), or pigeonholed as suited only to particular forms of leadership (nurturing, cooperative, egalitarian, communicative, etc.). Focusing on the German-speakingcountries, this volume works to dismantle the prevailing disassociation of women and leadership across a range of disciplines. Contributions discuss literary works involving women's political authority and cultivation of community from Maria Antonia of Saxony to Elfriede Jelinek; women's social activism, as embodied by figures from Hedwig Dohm to Rosa Luxemburg; women in political film, environmentalism, neoliberalism, and the media from Leni Riefenstahlto Petra Kelly to Maren Ade; and political leaders Hillary Clinton and Angela Merkel. Contributors: Dorothee Beck, Seth Berk, Friederike Bruhofener, Margaretmary Daley, Aude Defurne, Helga Druxes, Sarah Vandegrift Eldridge, Anke Gilleir, Rachel J. Halverson, Peter Hudis, Elisabeth Krimmer, Stephen Milder, Joyce Marie Mushaben, Lauren Nossett, Patricia Anne Simpson, Almut Spalding, Inge Stephan, Lisa Fetheringill Zwicker. Elisabeth Krimmer is Professor of German at the University of California, Davis. Patricia Anne Simpson is Professor of German at the University of Nebraska-Lincoln.

This year's volume is highlighted by a special section on Goethe's narrative events in addition to a range of other articles from emerging and established scholars.The Goethe Yearbook is a publication of the Goethe Society of North America, encouraging North American Goethe scholarship by publishing original English-language contributions to the understanding of Goethe and other authors of the Goethezeit while also welcoming contributions from scholars around the world. Volume 26 features a special section on Goethe's narrative events, with contributions on "e;Narrating (against) the Uncanny: Goethe's "e;Ballade"e; vs. Hoffmann's Der Sandmann,"e; "e;The Absence of Events in Die Wahlverwandtschaften,"e; and "e;Countering Catastrophe: Goethe's Novelle in the Aftershock of Kleist."e; This issue also showcases work presented atthe 2017 Atkins Goethe Conference (Re-Orientations around Goethe), including contributions by Eva Geulen on morphology and W. Daniel Wilson on the Goethe Society of Weimar in the Third Reich. In addition there are articles by emerging and established scholars on Klopstock, Schiller, Goethe and objects, dark green ecology, and texts of the Goethezeit and beyond through the lens of world literature. Book reviews conclude the volume. Contributors: Lisa Marie Anderson, Thomas O. Beebee, Fritz Breithaupt, Christopher Chiasson, Patrick Fortmann, Sean Franzel, Eva Geulen, Willi Goetschel, Stefan Hajduk, Samuel Heidepriem, Bryan Klausmeyer, Lea Pao, Elizabeth Powers, James Shinkle, Heather I. Sullivan, Christian P. Weber, W. Daniel Wilson, Karin A. Wurst. The Goethe Yearbook is edited, beginning with this volume, by Patricia Anne Simpson, Professor of German and Chairperson of Modern Languages at the University of Nebraska-Lincoln, and Birgit Tautz, George Taylor Files Professor of Modern Languages at Bowdoin College. Book Review Editor is Sean Franzel, Associate Professor of German at the University ofMissouri-Columbia.

Investigates how culture in the Age of Goethe shaped and was shaped by a sustained and multifaceted debate about the place of religion in politics, philosophy, and culture.The eighteenth century is usually considered to be a time of increasing secularization in which the primacy of theology was replaced by the authority of reason, yet this lofty intellectual endeavor played itself out in a social and political reality that was heavily impacted by religious customs and institutions. This duality is visible in the literature and culture of late eighteenth- and early nineteenth-century Germany. On the one hand, authors such asGoethe, Schiller, and Kleist are known for their distance from traditional Christianity. On the other hand, many canonical texts from the late eighteenth and early nineteenth centuries -- from Goethe's Faust to Schiller's Die Jungfrau von Orleans to Kleist's Michael Kohlhaas -- are not only filled with references to the Bible, but invoke religious frameworks. Religion, Reason, and Culture in the Age of Goethe investigates how culture in the Age of Goethe shaped and was shaped by a sustained and multifaceted debate about the place of religion and religious difference in politics, philosophy, and culture, enriching our understanding of the relationship between religion and culture during this foundational period in German history. Contributors: Frederick Amrine, Claire Baldwin, Lisa Beesley, Jane K. Brown, Jeffrey L. High, Elisabeth Krimmer, Helmut J. Schneider, Patricia Anne Simpson, John H. Smith, Tom Spencer. Elisabeth Krimmer is professor of German at the University of California, Davis. Patricia Anne Simpson is professor of German at Montana State University.

In post-Wall Germany, violenceboth real and imaginedis increasingly determining the formation of new cultural identities. Patricia Anne Simpson's book focuses on the representation of violence in three youth subcultures often characterized by aggression as they enact a rivalry for supremacy on the new German ';street'the author's operative metaphor to situate the cultural discourse about violence. The selected literary texts, films, and music exemplify the urgent need for a sustained debate about violence as an aspect of both social reality and the national imaginary. Simpson's study discloses the relationship between narratives of violence and issues of immigration, ethnic difference, and poverty. Her lucid readings examine the ways in which violence is grounded in the asphalt of Germany's new street.This interdisciplinary study identifies the motivations, decisions, and consequences of violent acts and the stories that convey them. Simpson draws examples from popular genres and subcultures, including punk, hip hop, and skinhead sounds, styles, and politics. With theoretical sophistication and analytical clarity, the author locates the contested territory of the street within larger European contexts of violence while paying careful attention to the particularities of German history. She reveals new insights into the construction of citizenship, masculinity, and contemporary ethics. In addition, Simpson demonstrates the importance of concepts embedded in the representation of violence, including revised definitions of heroism, community, and evolving ideas of fraternity, family, and home.