Bøker av Patricio De La Escosura

Esta obra de teatro histórica de Patricio de la Escosura sigue la vida del rey Jaime I de Aragón durante la conquista de Valencia. A través de una mezcla de diálogos románticos y políticos, el autor nos transporta al mundo medieval de la Península Ibérica y su lucha por el poder.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

En esta obra de teatro histórica, Patricio de la Escosura nos presenta una mirada apasionante al Madrid del siglo XVII y la corte del rey Felipe IV. Con un enfoque en los personajes reales de la época, el autor utiliza la poesía y el diálogo para llevarnos a un mundo de intriga política y romances prohibidos.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Una emocionante novela histórica que narra las aventuras del Conde de Candespina, escrita por el talentoso autor Patricio de la Escosura.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Publicado en 1870, este libro es un testimonio excepcional sobre las Islas Filipinas y su relación con España. Patricio de la Escosura presenta una detallada memoria sobre su experiencia en el país, con un enfoque especial en la cultura y la historia de Joló.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Caballero en un rocín cuellilargo, quijotudo y amojamado, su creación inmemorial, sus jaeces un a jáquima bastante antigua, y una manta de muestra no muy moderna, y a pesar de todo, no mío, paseaba yo no hace mucho por una sierra del reino de Sevilla.Preocupado en diferentes pensamientos, para mí muy importantes, y habituado ya al país en que me hallaba, confieso francamente que no me hacía mucho efecto el cuadro que me rodeaba, a pesar de ser una de las más bellas perspectivas que pueda imaginar el entendimiento.Cuanto la vista alcanza a descubrir desde el punto más elevado de aquel terreno ofrece un aspecto lleno de vida y de interés. No hay allí una llanura que tenga un cuarto de legua en cuadro, y hablando con propiedad, los que los naturales llaman valles no son más que ramblas o encañadas, la más ancha de cien toesas, sí las tiene. Compónese, pues, todo aquel país de cerros y colinas, peñascos y precipicios.