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The acclaimed film biographer and author of Young Orson and Funny Man returns with the definitive look at the life and legacy of Woody Allen. The writer, director, and frequent star of more than fifty popular, award-winning, and internationally successful pictures over seven decades of filmmaking, Woody Allen is one of the most consequential American cultural figures of our time. Yet this national icon has fallen from grace nowadays. In this even-handed biography, Patrick McGilligan explores the public rise and fall of this hilarious comedian with a serious bent in his work, whose singularity and non-conformity has proved an Achilles heel. This is the most comprehensive portrait of the creative prodigy that is Woody Allen. Drawing on exhaustive research, McGilligan brilliantly reconstructs Allen's misbegotten Brooklyn boyhood and salad days as a comedy writer for Sid Caesar and other television personalities, his struggles to connect with audiences as a bright stand-up comedian, his sidelines as a New Yorker writer and Broadway playwright, and his first side-splitting movies as writer, director, and star, leading to his Oscar-winning Annie Hall and golden years, in the 1970s and 80s, of making some of his best films still beloved by fans. But it is also a scrupulous account of the darker side of Allen, his three marriages, famous liaisons and furtive flings, and especially his tumultuous personal and professional relationship with actress Mia Farrow, his affair with her daughter, Soon-Yi Previn, and the alleged abuse of his adopted daughter Dylan. McGilligan presents the known facts, parsing questions of guilt and innocence, and examines the case, with its charges and countercharges that accrue to the present day. McGilligan's compelling biography astutely links the ideas and themes of Allen's career to his singular personality and character. He makes it clear Allen is a writer's writer, and that beyond the smoke and controversy, no American filmmaker has had a greater cultural impact; none has been as creative, productive, or influential in his lifetime.
Oscar Micheaux was the Jackie Robinson of film, the black D. W. Griffith--a bigger-than-life American folk hero whose important life story has been nearly forgotten today. The son of freed slaves, he roamed America as a Pullman porter before making his first mark as a homesteader in South Dakota--and going on from there to become the king of the "race cinema" industry, producing and/or directing nearly forty films during a time of Jim Crow segregation when African-American artists were not welcome in Hollywood.In this groundbreaking new biography, award-winning film historian Patrick McGilligan offers a vivid and fascinating portrait of a true pioneer of American culture who was equal parts visionary, hustler, huckster, innovator, and raffish Barnum-like showman--and the first great African-American filmmaker.
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