Bøker av Paul Dobraszczyk

A ground-breaking presentation of 60 projects of 'anarchist' architecture.

An original call to reorient architecture around our relationship to plants. When we look at trees, we see a form of natural architecture, and yet we have seemingly always exploited trees to make new buildings of our own. Whereas a tree creates its own structure, humans generally destroy other things to build, with increasingly disastrous consequences. In Botanical Architecture, Paul Dobraszczyk looks closely at how elements of plants--seeds, roots, trunks, branches, leaves, flowers, and canopies--compare with and constitute human-made buildings. Given the omnipresence of plant life in and around our structures, Dobraszczyk argues that we ought to build as much for plants as for ourselves, understanding that our lives are always totally dependent on theirs. Botanical Architecture offers a provocative and original take on the relationship between ecology and architecture.

A provocative call for architects to remember and embrace the nonhuman lives that share our spaces. A spider spinning its web in a dark corner. Wasps building a nest under a roof. There's hardly any part of the built environment that can't be inhabited by nonhumans, and yet we are extremely selective about which animals we keep in or out. This book imagines new ways of thinking about architecture and the more-than-human and asks how we might design with animals and the other lives that share our spaces in mind. Animal Architecture is a provocative exploration of how to think about building in a world where humans and other animals are already entangled, whether we acknowledge it or not.

Cities are imagined not just as utopias, but also as ruins. In literature, film, art and popular culture, urban landscapes have been submerged by floods, razed by alien invaders, abandoned by fearful inhabitants and consumed in fire.

Outlines the history of London's sewers from the nineteenth century onwards, using a variety of colour illustrations, photographs and newspaper engravings to show their development from medieval spaces to the complex, citywide network, largely constructed in the 1860s, that is still in place today.