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  • av Paul du Quenoy
    568,-

    What is "e;cancel culture."e; A new phrase in popular circulation for less than two years, it has provoked passionate denunciations from observers concerned with civil liberties, especially rights of free speech and expression, and apologetic defenses from opponents who advocate equity and accountability in light of new mores. Still others deny that "e;cancel culture"e; exists at all, while many claim never to have heard of it. In Cancel Culture: Tales from the Front Lines, noted historian and critic Paul du Quenoy presents a series of case studies that reveal the new phenomenon known as "e;cancel culture"e; as experienced or claimed in media, academia, the arts, public space, and other areas of ideological controversy. More than a bald denunciation or frustrated description of an unfamiliar new concept, this groundbreaking approach seeks to understand "e;cancel culture"e; as a process - how it starts and stops, where it comes from and leads, and how and, indeed, whether it might one day end. This penetrating and highly original analysis sheds light on a society grappling feverishly with fundamental issues of freedom and liberty.

  • - (New and Revised 2nd Edition)
    av Paul du Quenoy
    1 379,-

    When did Russia become 'modern?' Historians of Russia - including even many Russian historians - have long tried to identify Russia's 'modern' moment. While most scholars have looked to economic or ideological transitions, noted historian and critic Paul du Quenoy approaches the problem through culture, and specifically the performing arts.

  • - Politics and the Performing Arts in Late Imperial Russia
    av Paul du Quenoy
    445 - 892,-

    Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era.

  • - Wagnerian Influences on French Musical and Literary Culture 1870-1945
    av Paul du Quenoy
    1 257,-

    Richard Wagner's musical themes, dramatic structures and philosophical tropes recurred in the works of almost every major French composer before World war One. This research monograph studies and reinterprets the works and ideas of Wagner which have had such a profound influence on the artistic and intellectual life of France.

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