Bøker av Paul Kaplan

African Venice is the first guidebook to the extensive historical and contemporary African presence in the city of the lagoons. A set of ten walking tours highlights images of Black people in Venetian art from the Middle Ages to the present, the afterlife of Shakespeare's Othello, the painful local legacies of slavery and Italian colonialism, and the remarkable visibility of African and Afro-descendant artists at the Venice Biennale. These tours are enriched by more than twenty essays, poems, and reflections that celebrate, question, and reimagine Venice's Black past and present. From premodern paintings and sculpture to contemporary artworks, African Venice will show you the city as you have never seen it. The book includes contributions from Giuseppina Bakhita, Marilena Umuhoza Delli, Rita Dove, Emiliano Guaraldo, Eddy L. Harris, Lorenzo Lazzarini, Ibrahima Lö, Vittorio Longhi, Olga Manente, Tony Mochama, Yvonne Adhiambo Owuor, Caryl Phillips, Sandra Stocchetto, Sami Tchak, Ngugi wa Thiong'o, and Alessandra Viola.

Murder Stories engages with the current theoretical debate in death penalty research on the role of cultural commitments to ';American' ideologies in the retention of capital punishment. The central aim of the study is to illuminate the elusive yet powerful role of ideology in legal discourses. Through analyzing the content and processes of death penalty narratives, this research illuminates the covert life of ';the American Creed,' (a nexus of ideologiesliberty, egalitarianism, individualism, populism, and laissez fairesaid to be unique to the United States) in the law. Murder Stories draws on the entire record of California death sentence resulting trials from three large and diverse California counties for the years 1996 2004, as well as interviews with 26 capital caseworkers (attorneys, judges, and investigators) from the same counties. Employing the theoretical framework proposed by Ewick and Silbey (1995) to study hegemonic and subversive narratives, and also the ethnographic approach advocated by Amsterdam and Hertz (1992) to study the producers and processes of constructing legal narratives, this book traces the ideological content carried within the stories told by everyday practitioners of capital punishment by investigating the content, process, and ideological implications of these narratives.The central theoretical finding is that the narratives constructed by both prosecutors and defenders tend to instantiate rather than subvert the ideological tenets of the American Creed.