Bøker av Paul Wells

Evaluates the depiction of animals in cartoons and animation. This title argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos.

In this much-needed study of a neglected medium, Paul Wells undertakes a convincing defence of the animated film as a significant art form. Part history, part theory, part celebration, Wells explores approaches to animation through an

This set is a remarkable archive of histories of one of the most venerated and ancient universities in the world. Together they give a fascinating insight into Oxford University's world up until the end of the nineteenth century.

Written for the modern reader, this work looks at atonement, which is at the heart of the Christian faith. It covers the subject in short chapters.

Examines the thinking process behind drawing, characters, composition and movement, narrative and adaptation. The author introduces the fundamental elements involved in producing drawn animation.

Animation: Genre and Authorship is an overview of the distinctive language of animation, its production processes, and the particular questions about who makes it, under what conditions and with what purpose. Arguably, animation provides the greatest opportunity for distinctive models of "auteurism" and revises generic categories. This is the first study to look specifically at these issues, and to challenge the prominence of live action movie-making as the first form of contemporary cinema and visual culture. Including extensive analysis of individual animators and their operation within studios such as Disney and Dreamworks, the book investigates the use of animation in genres from horror and science fiction to documentary and propaganda.

Paul Wells looks at animation in the United States afresh, discussing the distinctiveness of the cartoon form, and the myriad others types of animation production, insisting upon the 'modernity' of the form, and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects.