Bøker av Paul West

In A Fifth of November, Paul West describes the events surrounding the English Gunpowder Plot (1605). Instigated by thirteen Catholic conspirators, most famously Guy Fawkes, the Plot was a failed attempt to blow up the English Parliament and King James I. At the heart of West's novel are the trials of Father Henry Garnet, superior of the English Jesuits, who is hidden from the king's henchmen behind the walls of English mansions. Shielding him from harm is the melancholy noblewoman Anne Vaux, a Catholic sympathizer. A Fifth of November tells the tale of Garnet: it begins when he first hears of the plot the conspirators have confessed their plan to him, what is his responsibility?--to his imprisonment in the Tower of London. All along, the figures who partake of this historical moment are brightly, often horrifically, drawn. In A Fifth of November, West tackles through his rhapsodic language, brilliant characterizations, and historical precision that inevitable topic: human evil.

The Dry Danube, Paul West's nineteenth novel, is a uniquely daring, dazzling, bravura performance by an acknowledged master. The Dry Danube, presents Hitler's "memoir" of the years he spent as a failed art student in Vienna, just before World War One. Each of the book's four parts is a solid raving block of barbaric flourishes, free of paragraphing in its headlong rush of disgorged spleen. "I wanted to get at H. before the violence sets in," West remarked: "But most of all I wanted to get the motion of his mind, as seen by another." Hitler spews his rage over his blighted career and his desperate wooing of Treischnitt and Kolberhoff, "proud famous painters both." These "two men so important in my young life, yet so aloof from me," he tries to befriend, though "I would have had more success groveling before a statue of Frederick the Great or Charlemagne." ("These men do not so much control Art, they are Art. It makes you sick to think of it.") A risky venture, The Dry Danube stands a triumph -- baroque, chilling ("This was not the last the world would hear of me"), and scathingly humorous at the same instant.

Mr. West is a writer for whom words are a projectile (if you remember Alley Jaggers) - freewheeling, hectic, rumbustious, percussive and imaginatively prolix. Mandy, his daughter, here glimpsed in a few of her early years, is deaf - also "exceptional" which might mean autistic - and also a hooligan who might be eating nail varnish or drinking from a potty or staring unblinking at 150 watt bulbs or running, everywhere, "heedless of gesticulating and half-felled adults and the sanity of drivers." She has only three words to begin with, baba, more and ish-ish, and Mr. West's "space probe" in the form of an epistle shows her here and there - taking care of a bird, or immersed in a bath, or developing a lexicon of sounds and meanings which will salvage her from the "long emergency" of those who live without words and with a special dependence which is also a special innocence. Some of the earlier parts appeared in the New American Review; a closing chapter relates more directly to those who deal with any disadvantaged child and his naked affection for this helterskelter, demonic creature is everywhere apparent. The book of course is for Mandy who is "as incoherent as daily light, as vulnerable as uranium 235, and (has) an atom where an atom shouldn't be" - it's for others too. (Kirkus Reviews)

Under the pharoah Cheops, the great pyramids at Giza were built, and according to Herodotus, Egypt was "plunged into all manner of wickedness." This book takes Herodotus back in time to see the dying Cheops and the intrigues of his court, rife with murder, incest and rebellion.