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Regarded by many as one of Americas finest-living writers, Cormac McCarthy has produced some of the most compelling novels of the last 40 years. Through the increasing number of cinematic adaptations of his work, including the Oscar-winning No Country for Old Men, and the Pulitzer Prize for The Road, McCarthy is entering the mainstream of cultural consciousness, both in the United States and abroad. In Adventures in Reading Cormac McCarthy, Peter Josyph considers, at length, the authors two masterworks Blood Meridian and Suttree, as well as the novel and film of All the Pretty Horses, McCarthys play The Stonemason, and his film The Gardeners Son.The book also includes extended conversations with critic Harold Bloom about Blood Meridian; novelist and poet Robert Morgan about The Gardeners Son; critic Rick Wallach about Blood Meridian; and Oscar-winning screenwriter Ted Tally about his film adaptation of All the Pretty Horses. Drawing on multiple resources of an unconventional nature, this book examines McCarthys work from original and sometimes provocative perspectives. Proposing a new notion of criticism, Adventures in Reading Cormac McCarthy will become a useful tool for critics, students, and general readers about one of the great literary talents of the day.
';Josyph takes an aggressively unconventional approach to McCarthy's work, combining elements of travelogue, interview and memoir.' The Washington Post In Cormac McCarthy's House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy's work. As a visual artist, Josyph wrestles with the challenge of rendering McCarthy's former home in El Paso as a symbol of a great writer's workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of ';our brother's keeper' in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener's Son about a controversial scene in that film; actress Miriam Colon's perspective on portraying the Duea Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph's views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph's unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness.
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