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In the Place Where We Thought We Stood tells the story of a French-American translator travelling by train from Paris to Barcelona, then on to Madrid to comfort his mother-in-law who recently suffered a stroke. Haunted by his wife's recent suicide and by his inability to complete his translation of the correspondence of the writer Ingeborg Bachmann and her lover Paul Celan, he struggles numbly to make sense of the moment, the day. Set entirely in the course of this journey, the novel-at heart a reckoning with things past-explores the fleeting little triumphs of love.
"Opening one late spring morning in Mexico City, at Casa Barragâan, the former home and studio of the Mexican architect, Luis Barragâan, The Least of It tells the seemingly placid tale of a man, an unnamed American translator, who is reunited with his longtime friend, a New York psychiatrist, after years of estrangement. At the heart of their disaffection is his friend's ex-wife, Simin, a brilliant, headstrong, and beautiful woman with whom the narrator has always been in love, a love that has never been requited, except in the confidences she has shared with him over the years, secrets that have not only compromised his relationship with his friend but have rendered him all but incapable of speech. Spanning a single day, the novel follows the two characters as they tour the small museum, then amble their way to Chapultepec Park, a vast and sprawling park in the center of Mexico City, through which they walk and talk, finally making their way, just as evening is falling, into the fashionable neighborhood of Condesa, where, after dinner in a local restaurant, they part ways for good. With its hints of Shakespeare's Othello and of the late novels of Henry James, The Least of It is a story of jealousy and deception, of innocence and complicity, of the role of one man in the betrayal and destruction of another"--
Improve financial product control operations with this comprehensive reference Effective Product Control provides detailed "how-to" guidance for the product control function, serving as a control standards primary reference for both internal and external stakeholders.
The German belt buckle has long fascinated collectors. Now this full color volume will help collectors to identify their buckles and avoid purchasing reproductions. They will also find how to date and identify manufacturers marks. Only genuine buckles have been used for illustration, together with all their blemishes except where noted. Obverse and reverse are shown so that collectors can make direct comparison. All buckles are shown with prices in U.S. Dollars and Sterling. The prices indicate both the high and low end of the market and have been diligently researched. For the first time information on the early RZM marks is brought to collectors and many details of buckle construction are presented with comparisons between genuine buckles and reproductions. Latest reproductions are covered in detail. Period photos and illustrations have been used where possible to show buckles in actual use. Some 800 illustrations and photos are used throughout the book. New drawings of makers marks have been prepared and include many not previously documented.
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