Bøker av Philip Austin

June 1910. Charles Richard Crowningshield, a wealthy industrialist from Chicago, is sending his family east, to escape the summer heat. They arrive by private train, to the village of Woods Hole, a small fishing village on the tip of Cape Cod, Massachusetts. He's just purchased a new home there, high atop Juniper Point, a windswept promentary with views to sea and the Elizabeth islands beyond. But the house, built in 1880, a large Victorian mansion in the Queen Anne stylee, is a beautiful fixer-upper, lacking even the most basic of amenities, like indoor plumbing. Arthur Rouse, an illiterate Scottish foundryman with an almost preternatural relationship with machinary, has also been sent by his employer to set the situation to rights.

"Some of the sharpest writing ever from a comic genius." -Kurt Luchs, Talking Book Review "Good sentence structure." -Chevy Chase Philip Austin, one of America's great comedy writer/performers and one quarter of the notorious Firesign Theatre, was the editor and main contributor of an alternative-universe 1930s-era New Yorker that never was. Influenced in equal parts by the noir of Hammett,the deeply personal short stories of Saroyan, and the barn-burning surrealism of the MarxBrothers, he wrote stories of The Old Detective, a shamus who hung out in a tatty pink-plaster bungalow telling tales of exotic babes shooting craps in a barrel; wood-peckers who solved mysteries; mountaineers who worked laterally across miles of urban city streets; and housewives of Fresno who abandoned their homes and dug tunnels below their neighborhood. The 18 stories in this collection cover all this territory and more, delving into Phil's love of dogs, the Pacific Northwest, state fairs, and school lunch menus. A must-have for anyone who's enjoyed his work in or out of the Firesign Theatre. PHILIP AUSTIN was born in Denver, Colorado in 1941 and grew up in Fresno, California. He attended Bowdoin College, Fresno State College, and UCLA. In the 1960s he was a member of the Center Theatre Group in Los Angeles and was Program Director for Drama and Literature at KPFK-FM, where in 1966 he met his future collaborators in the Firesign Theatre-Peter Bergman, David Ossman, and Philip Proctor. The Firesign Theatre went on to write and perform more than 23 albums over 40 years, several of which featuring Austin's best-known character, Nick Danger. The group's album Don't Crush That Dwarf, Hand Me the Pliers was inducted into the Library of Congress' Recording Registry in 2005. As a writer he published many short stories and wrote several screenplays, including the never-produced Grateful Dead movie Brokedown Palace and the novel Beaver Teeth. He died in 2015.

The effective management of pain is a problem which confronts all manual therapists. This book provides a clear picture of our current understanding of pain mechanisms and shows how that knowledge should inform approaches to treatment. The knowledge of pain science that the book conveys will help the therapist select the best approach to the clinical management of each patient. Different types of pain disorder may require different management strategies which may involve only one discipline or, at other times, a multidisciplinary team which may also include medical clinicians, psychologists, occupational therapists, nurses and other healthcare practitioners as well as manual therapists. The book is divided into three parts: An introduction to the concept of pain and its neurophysiological mechanisms. A review and discussion of current and potential evidence-based evaluation methods. A review and discussion of common types of functional pain disorders. This approach provides readers with a comprehensive reference to evidence-based information that should enable them to manage their clients' pain as effectively as possible.