Bøker av Philip Ball

Colour in art - as in life - is both inspiring and uplifting, but where does it come from?

Images and text capture the astonishing beauty of the chemical processes that create snowflakes, bubbles, flames, and other wonders of nature.Chemistry is not just about microscopic atoms doing inscrutable things; it is the process that makes flowers and galaxies. We rely on it for bread-baking, vegetable-growing, and producing the materials of daily life. In stunning images and illuminating text, this book captures chemistry as it unfolds. Using such techniques as microphotography, time-lapse photography, and infrared thermal imaging, The Beauty of Chemistry shows us how chemistry underpins the formation of snowflakes, the science of champagne, the colors of flowers, and other wonders of nature and technology. We see the marvelous configurations of chemical gardens; the amazing transformations of evaporation, distillation, and precipitation; heat made visible; and more.

The first fully illustrated history of the chemical elements.

A cutting-edge examination of what it means to be human and to have a 'self' in the face of new scientific developments in genetic editing, cloning and neural downloading.

While the natural world is often described as organic, it is in fact structured to the very molecule, replete with patterned order that can be decoded with basic mathematical algorithms and principles. In a nautilus shell one can see logarithmic spirals, and the Golden Ratio can be seen in the seed head of the sunflower plant. These patterns and shapes have inspired artists, writers, designers, and musicians for thousands of years. "Patterns in Nature: Why the Natural World Looks the Way It Does" illuminates the amazing diversity of pattern in the natural world and takes readers on a visual tour of some of the world s most incredible natural wonders. Featuring awe-inspiring galleries of nature s most ingenious designs, "Patterns in Nature" is a synergy of art and science that will fascinate artists, nature lovers, and mathematicians alike."

Why have all human cultures - today and throughout history - made music? Why does music excite such rich emotion? And how do we make sense of musical sound? This title explores how the research in music psychology and brain science is piecing together the puzzle of how our minds understand and respond to music.

Is there a 'physics of society'? Ranging from Hobbes and Adam Smith to modern work on traffic flow and market trading, and across economics, sociology and psychology, this title shows how much we can understand of human behaviour when we cease to try to predict and analyse the behaviour of individuals.

The brilliantly told and gripping story of the most familiar - yet, amazingly, still poorly understood - substance in the universe: Water.

Featuring two hundred color plates, this history of the craft of scientific inquiry is as exquisite as the experiments whose stories it shares. This illustrated history of experimental science is more than just a celebration of the ingenuity that scientists and natural philosophers have used throughout the ages to study--and to change--the world. Here we see in intricate detail experiments that have, in some way or another, exhibited elegance and beauty: in their design, their conception, and their execution. Celebrated science writer Philip Ball invites readers to marvel at and admire the craftsmanship of scientific instruments and apparatus on display, from the earliest microscopes to the giant particle colliders of today. With Ball as our expert guide, we are encouraged to think carefully about what experiments are, what they mean, and how they are used. Ranging across millennia and geographies, Beautiful Experiments demonstrates why "experiment" remains a contested notion in science, while also exploring how we came to understand the way the world functions, what it contains, and where the pursuit of that understanding has brought us today.

The compelling story of leading physicists in Germany--including Peter Debye, Max Planck, and Werner Heisenberg--and how they accommodated themselves to working within the Nazi state in the 1930s and '40s. After World War II, most scientists in Germany maintained that they had been apolitical or actively resisted the Nazi regime, but the true story is much more complicated. In Serving the Reich, Philip Ball takes a fresh look at that controversial history, contrasting the career of Peter Debye, director of the Kaiser Wilhelm Institute for Physics in Berlin, with those of two other leading physicists in Germany during the Third Reich: Max Planck, the elder statesman of physics after whom Germany's premier scientific society is now named, and Werner Heisenberg, who succeeded Debye as director of the institute when it became focused on the development of nuclear power and weapons. Mixing history, science, and biography, Ball's gripping exploration of the lives of scientists under Nazism offers a powerful portrait of moral choice and personal responsibility, as scientists navigated "the grey zone between complicity and resistance." Ball's account of the different choices these three men and their colleagues made shows how there can be no clear-cut answers or judgment of their conduct. Yet, despite these ambiguities, Ball makes it undeniable that the German scientific establishment as a whole mounted no serious resistance to the Nazis, and in many ways acted as a willing instrument of the state. Serving the Reich considers what this problematic history can tell us about the relationship between science and politics today. Ultimately, Ball argues, a determination to present science as an abstract inquiry into nature that is "above politics" can leave science and scientists dangerously compromised and vulnerable to political manipulation.

Science Book Prize-winning science writer Philip Ball explores the diversity of thinking minds, from the variety of human minds to those of mammals, insects, computers and plants, in a book that brilliantly illuminates how many different ways there are to think and engage with the world; and how particular are our own.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, Bram Stoker and Mary Shelley to The War of the Worlds, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales.

A Military history of the 1793-95 campaign in Flanders and the Netherlands.

'This is the book I wish I could have written but am very glad I've read' Jim Al-Khalili`I think I can safely say that nobody understands quantum mechanics.'Richard Feynman wrote this in 1965 - the year he was awarded the Nobel prize in physics for his work on quantum mechanics.

Selected as a Book of the Year by The Times and The Economist A secret history of China - a fresh new way of thinking about a people, a civilisation, an epic story. The ubiquitous relationship that the Chinese people have had with water has made it an enduring metaphor for philosophical thought and artistic expression.

Among them were world-renowned physicists Max Planck, Peter Debye and Werner Heisenberg. After the war most scientists in Germany maintained they had been apolitical or even resisted the regime: Debye claimed that he had gone to America in 1940 to escape Nazi interference in his research;

Unnatural delves beneath the surface of the cultural history of 'anthropoeia' - the artificial creation of people - to explore what it tells us about our views on life, humanity, creativity and technology, and the soul.

A brilliant fusion of science and fiction, this is a dazzlingly energetic debut novel about the search for unlimited energy, featuring a maverick physicist and a dogged young journalist who senses the scoop of the century.

One of the four elements of classical antiquity, water is central to the environment of our planet. In this book, the author writes of water's origins, history, and unique physical character. As a geological agent, water shapes mountains, canyons, and coastlines, and when unleashed in hurricanes and floods its destructive power is awesome.

Why do similar patterns appear in nature in settings that seem to bear no relation to one another? Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts and gives rise to spontaneous patterns. This book tells how nature's patterns are made.

From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.

This book aims to stimulate the reader to think anew about some of the relationships and differences between science and art, and to challenge some of the common notions about particular 'famous experiments'.

Chemists have created superconducting ceramics for brain scanners, designed liquid crystal flat screens for televisions and watch displays, and made fabrics that change color while you wear them. This book lets the lay reader into the world of modern chemistry.

Made to Measure introduces a general audience to one of today's most exciting areas of scientific research: materials science. Philip Ball describes how scientists are currently inventing thousands of new materials, ranging from synthetic skin, blood, and bone to substances that repair themselves and adapt to their environment, that swell and flex like muscles, that repel any ink or paint, and that capture and store the energy of the Sun. He shows how all this is being accomplished precisely because, for the first time in history, materials are being "e;made to measure"e;: designed for particular applications, rather than discovered in nature or by haphazard experimentation. Now scientists literally put new materials together on the drawing board in the same way that a blueprint is specified for a house or an electronic circuit. But the designers are working not with skylights and alcoves, not with transistors and capacitors, but with molecules and atoms. This book is written in the same engaging manner as Ball's popular book on chemistry, Designing the Molecular World, and it links insights from chemistry, biology, and physics with those from engineering as it outlines the various areas in which new materials will transform our lives in the twenty-first century. The chapters provide vignettes from a broad range of selected areas of materials science and can be read as separate essays. The subjects include photonic materials, materials for information storage, smart materials, biomaterials, biomedical materials, materials for clean energy, porous materials, diamond and hard materials, new polymers, and surfaces and interfaces.

This book proposes that the complex systems view of social sciences has matured sufficiently to make it possible, desirable and perhaps essential to try formulating a unified scheme for studying, understanding and ultimately predicting the world we have made.