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A new selection from Philip Hughes' unpublished notebooks going back over twenty-five years. In an astonishing collection of twenty-seven notebooks created over a quarter of a century, Philip Hughes has sought to capture the spirit of a place: its geological structure, its relationship with the surrounding landscape, and its occasional signs of human intervention. These painterly but topographically precise notebooks record moments when the artist has been moved to draw what he can see, whether from the shelter of a standing stone in Orkney, Scotland, from the air over the Simpson desert in Australia, or from a postal boat sailing through the Norwegian fjords. Pieced together by Hughes himself from over a thousand drawings, this is a logbook of momentary observations. Some are swift sketches of fields or horizons, others are slower studies of lichen and flowers in Antarctica, or lines of quartz in granite in Cornwall. The depth of feeling and knowledge Hughes has for different terrains and climates underpins the beauty of this essential and inspiring selection of notebooks.
To survey the history of the Catholic Church is, in the words of Eamon Duffy, to be left with "a sense of the intractable complexity of the historical reality of the Church and its institutions." To do justice to this complexity, Philip Hughes wrote an ambitious, three-volume survey of Church history-comprehensive in scope yet accessible in detail. In Volume I: The Church and the World in Which It Was Founded, Hughes dispenses with the chronological method, instead following the organic division of West and East and the development of the Church in those respective regions. In this "politically Roman and culturally Hellenic" world, Hughes treats the West through to the conversion of Constantine in the early years of the fourth century and the East up to the death of Justinian II in the eighth century.At the end of antiquity, as in the other stages of history, the Catholic Church has been an "all-present, unceasingly active institution." As such, its history demands to be known. A History of the Church, Volume I, is the first part of a magisterial response to that demand.
A beautiful, contemplative artist's book from Philip Hughes.
The Epistle to the Hebrews has been the subject of controversy and conjecture: its author is unknown, its occasion unstated, and its destination disputed. But these questions pale in comparison to the importance of the letter''s pervasive theme: the absolute supremacy of Christ--a supremacy which allows no challenge, whether from human or angelic beings. Hughes''s introduction includes an outline and synopsis of Hebrews and discusses theme, origin, authorship, and date. His verse-by-verse study of the text is accessible to specialist and nonspecialist readers alike. Technical points are dealt with in notes and excursuses.
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