Bøker av Pierluigi Serraino

If a building is not widely seen, its photograph rarely or never published, it simply does not enter into architectural discourse. Many buildings photographed by Julius Shulman suffered this fate, their images falling into oblivion. This book brings them to light, paying homage to California Modernism in all its forms.

From the ubiquitous Knoll "Tulip" chairs and tables to the TWA terminal at JFK Airport in New York, Eero Saarinen was one of the 20th century's most prominent space shapers, merging dynamic forms with a modernist sensibility across art and architecture.

Visionary landscape architecture and garden design at mid-century in North America is captured by the greats of the era, including Julius Shulman and Ezra Stoller in many previously unpublished photographs. The treasures of mid-century American architecture have long been celebrated. Less appreciated has been the landscape design that provides the framing for these masterworks. But more than frame, landscape architecture is an art worthy of the spotlight, particularly at mid-century, when the notion that "gardens are outdoor spaces for people to live in" was championed and brought to the fore; now gardens and landscapes are not just external attributes to the house but a continuation of it and its living spaces in a relationship of symbiosis, with its pools and terraces, its winding lawns, and its partly enclosed room-like spaces flanked by brick or stone or plantings in a range of colors and forms. Approximately seventy-five mostly residential projects are thoroughly documented and recounted. Landscape architects whose work is featured include Thomas Church, Lawrence Halprin, and Garrett Eckbo, among others. Highlights include the dramatic surrounds of Richard Neutra's Perkins House in its Pasadena hillside setting and Frank Lloyd Wright's Marin County Civic Center, where environment and building comingle in an extraordinary modernist vision of the future made real. This book is both a wishful gesture toward a realignment of building with nature and a must-have for anyone with a visceral appreciation for a designed environment understood as an integrated whole. Ultimately, the book underlines the fundamental importance of gardens and landscape design, intended in the widest possible sense, for the quality of living of all individuals.

This book celebrates seventy years of outstanding design by Dreyfuss + Blackford Architecture. It starts with historical milestones, shows some examples of process and practice, and concludes with a few consequential recent projects.

A captivating history of 20th-century Modern American architecture, as seen through the eyes of a legendary photographer

John Marx's watercolours, first published in the Architectural Review, are a captivating example of an architect's way of thinking