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  • av Plato
    1 262 - 1 528,-

  • av Plato
    463 - 658,-

  • av Plato
    369 - 636,-

  • av Plato
    463 - 658,-

  • av Plato
    541 - 862,-

  • av Plato
    219,-

  • av Plato
    278 - 596,-

  • av Plato
    369 - 636,-

  • av Plato & Otto Iahn
    1 535,-

    No detailed description available for "Platonis symposium in usum scholarum".

  • av Plato
    214,-

  • av Plato
    142 - 409,-

  • av Plato
    196 - 345,-

  • av Plato
    194,-

    The Sophist is a Platonic dialogue from the philosopher's late period, most likely written in 360 BC. In it the interlocutors, led by Eleatic Stranger employ the method of division in order to classify and define the sophist and describe his essential attributes and differentia vis a vis the philosopher and statesman. Like its sequel, the Statesman, the dialogue is unusual in that Socrates is present but plays only a minor role. Instead, the Eleatic Stranger takes the lead in the discussion. Because Socrates is silent, it is difficult to attribute the views put forward by the Eleatic Stranger to Plato, beyond the difficulty inherent in taking any character to be an author's "mouthpiece".The main objective of the dialogue is to identify what a sophist is and how a sophist differs from a philosopher and statesman. Because each seems distinguished by a particular form of knowledge, the dialogue continues some of the lines of inquiry pursued in the epistemological dialogue, Theaetetus, which is said to have taken place the day before. Because the Sophist treats these matters, it is often taken to shed light on Plato's Theory of Forms and is compared with the Parmenides, which criticized what is often taken to be the theory of forms.In Cratylus, contemporary or slightly preceding the Republic, Plato poses the problem, decisive for the use of dialectics for cognitive purposes, of the relationship between name and thing, between word and reality. Thus the 'Sophist' has its major background in the Cratylus. This dialogue is resolved in a contrast between the thesis of Hermogenes, who considers the name a simple sequence of sounds conventionally chosen to refer to an object, and the thesis of Cratylus, a pupil of the old Heraclitus, who supported the full expression of the essence of the "nominatum" in the name, and who considered the names as expressions forged by an Onomaturge, capable of expressing the essence of the thing named.

  • av Plato
    995 - 1 528,-

  • av Plato & Thomas Herbert Warren
    343 - 463,-

  • av Plato
    541,-

    Plato was one of the devoted young followers of Socrates. Plato never speaks in his own voice in his dialogues, and speaks as Socrates. The five dialogues includes the Euthyphro, Apology, Crito, Meno, and Phaedo.

  • av Plato
    620,-

    The Republic is a Socratic dialogue concerning justice, the order and character of the just city-state, and the just man. It is Plato's best-known work, and has proven to be one of the world's most influential works of political theory.

  • av Plato & B. Jowett
    596,-

  • av Benjamin Jowett
    596 - 809,-

  • av Plato & B. Jowett
    676,-

  • av Plato
    431,-

    Gorgias is a Socratic dialogue depicting a conversation between Socrates and a small group of sophists at a dinner. Socrates debates with the sophist unveiling the flaws of the sophistic oratory popular in Athens at the time.

  • av Plato
    358,-

    Euthyphro is a Socratic dialogue whose events occur in the weeks before the trial of Socrates, between Socrates and Euthyphro. The dialogue covers subjects such as the meaning of piety and justice.Apology is the Socratic dialogue that presents the speech of legal self-defense, which Socrates presented at his trial for impiety and corruption, in 399 bc. The dialogue is a defence against the charges of "corrupting the youth" and not believing in the gods in whom the city believes.Crito depicts a conversation between Socrates and his wealthy friend Crito regarding justice, injustice, and the appropriate response to injustice. Socrates thinks that injustice may not be answered with injustice, and refuses Crito's offer to finance his escape from prison.Meno introduces Socrates' positive ideas: the immortality of the soul, the theory of knowledge as recollection, the method of hypothesis, and, in the final lines, the distinction between knowledge and true belief.Phaedo is one of Plato's best-known dialogues. The philosophical subject of the dialogue is the immortality of the soul. It is set in the last hours prior to the death of Socrates.

  • av Plato
    143,-

  • av Plato
    143,-

  • av Plato
    183,-

    Phædo or Phaedo also known to ancient readers as On The Soul, is one of the best-known dialogues of Plato's middle period, along with the Republic and the Symposium. The philosophical subject of the dialogue is the immortality of the soul. It is set in the last hours prior to the death of Socrates, and is Plato's fourth and last dialogue to detail the philosopher's final days, following Euthyphro, Apology, and Crito.One of the main themes in the Phaedo is the idea that the soul is immortal. In the dialogue, Socrates discusses the nature of the afterlife on his last day before being executed by drinking hemlock. Socrates has been imprisoned and sentenced to death by an Athenian jury for not believing in the gods of the state (though some scholars think it was more for his support of "philosopher kings" as opposed to democracy) and for corrupting the youth of the city

  • av Plato
    195,-

    The Philebus is a Socratic dialogue written in the 4th century BC by Plato. Besides Socrates (the main speaker) the other interlocutors are Philebus and Protarchus. Philebus, who advocates the life of physical pleasure (hedonism), hardly participates, and his position is instead defended by Protarchus, who learnt argumentation from Sophists. Socrates proposes there are higher pleasures (such as those of the mind) as well as lower ones, and asks if the best life isn't one that optimally mixes both.Manuscripts of the work give it the subtitle "peri h¿don¿s, ¿thikos" ("ethics/moral concerning pleasure") implying that its topic is "concerning pleasure" and it is a work on ethics - that is, the question of what way of life is best. However "there are large parts in the dialogue that deal with dialectics and ontology but have nothing to do with pleasure and ethics, or if so, only indirectly"

  • av Plato
    203,-

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