Bøker av Plautus

The book, The Captivi and the Mostellaria , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

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A major comic artist in Republican Rome, Plautus left a legacy of twenty inventive comedies that display an exuberance and zany sense of humor that are distinctly Roman.

The comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and cornerstones of the European theatrical tradition from Shakespeare and Moliere to modern times. Twenty-one of his plays are extant.

Miles Gloriosus or "Braggart Warrior" is one of the best-known and liveliest Roman comedies. It shows Plautus at his ablest in ingenious plot construction, vivid characterization, fast-moving action, and humorous dialogue.

The comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and cornerstones of the European theatrical tradition from Shakespeare and Moliere to modern times. Twenty-one of his plays are extant.

The comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and cornerstones of the European theatrical tradition from Shakespeare and Moliere to modern times. Twenty-one of his plays are extant.

Originally published in 1919 as part of the Pitt Press series, this book contains an edited edition of the Latin text of Plautus' comedy Menaechmi. Knight provides an introduction on the origin and legacy of the play, as well as remarks on Plautus' style and use of metre.

Originally published in 1924, and intended for pre-university students, this book contains the Latin text of extracts from the works of the Roman comic Plautus. The selections are prefaced with an introduction on the playwright's life, and are accompanied by notes on the text and an appendix on the poetic metres used.

The comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences c. 205-184 BCE, are the earliest Latin works to survive complete and cornerstones of the European theatrical tradition from Shakespeare and Moliere to modern times. Twenty-one of his plays are extant.

Plautus was the single greatest influence on Western comedy. In fact, Shakespeare's Comedy of Errors and Moliere's the Miser are two subsequent classics directly based on Plautine originals. Plautus himself borrowed from the Greeks, but his jokes, rapid dialogue, bawdy humor, and irreverent characterizations are the original work of an undisputed genius. The comedies printed here show him at his best, and Professor Segal's translations keep their fast, rollicking pace intact, making these the most readable and actable versions available. This volume includes, The Braggart Soldier, e Brothers Menaechmus, The Haunted House, and The Pot of Gold.

Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language.

This is the first edition of Plautus' Amphitruo to appear in English for approximately forty years. It contains introductory essays, Latin text and a line-by-line commentary. Students will find this an indispensable tool in reading and translating the play.

Dr Gratwick provides a newly constituted text, a commentary for students giving help with language and context, and an introduction which sheds new light on the interpretation of Plautus's comedy Menaechmi.

Still funny after two thousand years, the Roman playwright Plautus wrote around 200 B.C.E., a period when Rome was fighting neighbors on all fronts, including North Africa and the Near East. These three plays-originally written for a wartime audience of refugees, POWs, soldiers and veterans, exiles, immigrants, people newly enslaved in the wars, and citizens-tap into the mix of fear, loathing, and curiosity with which cultures, particularly Western and Eastern cultures, often view each other, always a productive source of comedy. These current, accessible, and accurate translations have replaced terms meaningful only to their original audience, such as references to Roman gods, with a hilarious, inspired sampling of American popular culture-from songs to movie stars to slang. Matching the original Latin line for line, this volume captures the full exuberance of Plautus's street language, bursting with puns, learned allusions, ethnic slurs, dirty jokes, and profanities, as it brings three rarely translated works-Weevil (Curculio), Iran Man (Persa), and Towelheads (Poenulus)-to a wide contemporary audience. Richlin's erudite introduction sets these plays within the context of the long history of East-West conflict and illuminates the role played by comedy and performance in imperialism and colonialism. She has also provided detailed and wide-ranging contextual introductions to the individual plays, as well as extensive notes, which, together with these superb and provocative translations, will bring Plautus alive for a new generation of readers and actors.

One of the supreme comic writers of the Roman world, Plautus (c.254-184 BC), skilfully adapted classic Greek comic models to the manners and customs of his day. This collection features a varied selection of his finest plays, from the light-hearted comedy Pseudolus, in which the lovesick Calidorus and his slave try to liberate his lover from her pimp, to the more subversive The Prisoners, which raises serious questions about the role of slavery. Also included are The Brothers Menaechmus, which formed the prototype for Shakespeare's The Comedy of Errors, and The Pot of Gold, whose old miser Euclio is a glorious study in avarice. Throughout, Plautus breathes new, brilliant life into classic comic types - including deceitful twins, scheming slaves, bitter old men and swaggering soldiers - creating an entertaining critique of Roman life and values.

Brilliantly adapting Greek New Comedy for Roman audiences, the sublime comedies of Plautus (c. 254 -184 bc ) are the earliest surviving complete works of Latin literature. The four plays collected here reveal a playwright in his prime, exploring classic themes and developing standard characters that were to influence the comedies of Shakespeare, Moli re and many others. In The Ghost, a dissolute son who has squandered his father's money is thrown into disarray when he returns from abroad, a theme that is explored further in the comedy of errors A Three-Dollar Day. In The Rope - regarded by many as the best of Plautus' plays - the shipwreck of a pimp and his slaves leads to the touching reunion of a father and his daughter, while Amphitryo, Plautus's only excursion into divine mythology, offers a cheerful account of how Jupiter became father to Hercules.