Bøker av Prof. Mike Pearson

Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city Cardiff. In a series of five itineraries, it visits fifty sites where significant events occurred, setting performances within local topographical and social contexts, and in relation to a specific architecture and polity. These sites from disused factories to scenes of crime, from auditoria to film sets it regards as landmarks in the conception of a history of performance.Marking Time uses performance and places as a means to reflect on the character of the city itself its history, its fabric and make-up, its cultural ecology and its changing nature. Weaving together personal recollections, dramatic scripts, archival records and documentary photographs, it suggests a new model for studying and for making performancefor other artistic practicesfor other cities.Marking Time is an urban companion to the rural themes and fieldwork approaches considered in ';In Comes I': Performance, Memory and Landscape (University of Exeter Press, 2006).

';In Comes I' explores performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions into the agricultural landscape of eastern England, and drawing from archaeology, geomorphology, folklore, and local and family history.Mike Pearson, a leading theatre artist and solo-performer, returns to the landscape of his childhood off the beaten track in Lincolnshire and uses it as a mnemonic to reflect widely upon performance theory and practice. Rather than focusing on author, period and genre as is conventional in the study of drama, the book takes region as its optic, acknowledging the affective ties between people and place.Offering new approaches to the study of performance, he integrates intensely personal narrative with analytical reflection, juxtaposing anecdote with theoretical insight, dramatic text with interdisciplinary perception. The performances, ranging from folk drama to contemporary site-specific work, are seen in the light of their relationship to their cultural and physical environment.