Bøker av Quentin Tarantino

The highly anticipated, groundbreaking and hugely entertaining novel from one of the all-time great storytellers.

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans?and all movie lovers?could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

The long-awaited first work of non-fiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.

Nominated for seven Oscars and winner of the BAFTA award, this triplet of masterfully interwoven crime stories is witty, gritty and shamelessly violent, displaying Tarantino's visceral approach to character and plot.

"The screenplay for the cult classic film by the legendary writer-director returns to print in time for its thirtieth anniversary. Pulp Fiction is arguably the most influential American film of the 1990s. Winner of the Palme d'Or at the Cannes Film Festival, the 1994 Academy Award for Best Original Screenplay and later selected by the Library of Congress for preservation on the National Film Registry, Quentin Tarantino's second film was immediately hailed as a masterpiece ("a triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr. Tarantino's ripe imagination" -Janet Maslin, The New York Times). Now, on the heels of Tarantino's bestselling forays into both the novel and essay form, this iconic screenplay returns to print in a 30th anniversary edition"--

The Instant #1 New York Times bestsellerQuentin Tarantino's long-awaited first work of fiction ? at once hilarious, delicious, and brutal ? is the always surprising, sometimes shocking new novel based on his Academy Award- winning film.RICK DALTON ? Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it?CLIFF BOOTH ? Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have gotten away with murder. . . .SHARON TATE ? She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills.CHARLES MANSON ? The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n' roll star.HOLLYWOOD 1969 ? YOU SHOULDA BEEN THERESupplemental enhancement pdf accompanies the CD edition. If you have trouble accessing the pdf please email: CustomerCare@harpercollins.com.

Instant New York Times bestsellerThe long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino.In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans?and all movie lovers?could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever.

Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed "e;film geek,"e; with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino's reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece--Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness--his latest opus, Django Unchained (2012).From the beginning, Tarantino (b. 1963)--affable, open, and enthusiastic about sharing his adoration of movies--has been a journalist's dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker.Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. "e;If I hadn't wanted to make movies, I would have ended up as Ordell,"e; Tarantino has explained. "e;I wouldn't have been a postman or worked at the phone company. . . . I would have gone to jail."e;

One of a hand-picked selection of some of the most popular and cult-worthy titles on Faber and Faber's extensive list of film scripts.