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This collection of essays features some of the best of R. G. Collingwood's work concerning the relationship between history and philosophy.First published posthumously in 1965, Essays in the Philosophy of History is a collection of R. G. Collingwood's best work. He explores the philosophy of history, its aims, limitations, and relevance. Highly recommended for students of philosophy and those interested in historical cycles.The contents of this volume feature:- Croce's Philosophy of History- Are History and Science Different Kinds of Knowledge?- The Nature and Aims of a Philosophy of History- Oswald Spengler and the Theory of Historical Cycles- The Limits of Historical Knowledge- A Philosophy of History- A Philosophy of Progress
This early work by Robin G. Collingwood was originally published in 1923 and we are now republishing it with a brand new introductory biography. 'Can the New Idealism Dispense with Mysticism?' is an academic inquiry in the field of philosophy. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. He was the son of author, artist, and academic, W. G. Collingwood. He was greatly influenced by the Italian Idealists Croce, Gentile, and Guido de Ruggiero. Another important influence was his father, a professor of fine art and a student of Ruskin. He published many works of philosophy, such as Speculum Mentis (1924), An Essay on Philosophic Method (1933), and An Essay on Metaphysics (1940).
This early work by R. G. Collingwood was originally published in 1939 and we are now republishing it with a brand new introductory biography. 'An Essay on Metaphysics' is a work of philosophy that discusses the existence of God, causation, the metaphysics of Kant, and much more. Robin George Collingwood was born on 22nd February 1889, in Cartmel, England. Collingwood attended Rugby School before enrolling at University College, Oxford, where he received a congratulatory first class honours for reading Greats. Collingwood produced The Principles of Art in 1938, outlining the concept of art as being essentially expressions of emotion. He claimed that it was a necessary function of the human mind and considered it an important collaborative activity. He also published other works of philosophy, such as 'Speculum Mentis' (1924), 'An Essay on Philosophic Method' (1933), 'An Essay on Metaphysics' (1940), and many more.
James Connelly and Giuseppina D'Oro present a new edition of R. G. Collingwood's classic work of 1933, supplementing the original text with important related writings from Collingwood's manuscripts which appear here for the first time. The editors also contribute a substantial new introduction. The volume will be welcomed by all historians of twentieth-century philosophy.
Presents the publication of a set of writings by the British philosopher, historian, and archaeologist R G Collingwood. This book highlights a range of Collingwood's intellectual engagements, their integration, and their relevance to areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology.
This treatise on aesthetics criticizes various psychological theories of art, offers new theories and interpretations, and draws important inferences concerning the position of art in human society.
Collingwood's theory of philosophical method applied to the problem of the philosophy of nature.
Examines how the idea of history has evolved from the time of Herodotus to the twentieth century, and offers the author's own view of what history is. This edition provides an introduction which discusses how scholars have responded to his classic over the years.
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