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Richard Robinson examines the representation of shifting European borders in twentieth-century narrative, drawing together an unusual grouping of texts from different national canons and comparing the various ways that fictional settings transmute European placelessness into narrative.
This text explores the place to locate the cut between those inequalities for which it is fair to hold one responsible, and those for which it is not. The argument traces a thread of intellectual history, identifying a rejection of strong property rights which we inherit from Locke, and find in contemporary defenders of entitlements such as Nozick.
Richard Robinson examines the representation of shifting European borders in twentieth-century narrative, drawing together an unusual grouping of texts from different national canons and comparing the various ways that fictional settings transmute European placelessness into narrative.
In this volume, under one cover we are offered a survey of music for the choral medium from the fourteenth century to the present. This is not a compendium of tired old favorites. It is, rather, a guide to the development of the choral idiom in all its evolutionary complexity.
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