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L'École de la médisance, comédie en 4 actes, imitée de l'anglais de Sheridan, par P.-N. Famin, ... [Paris, Variétés étrangères, 22 juin 1807.]Date de l'édition originale: 1807Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Londres au dix-neuvieme siecle, ou l'Ecole du scandale, comedie en 5 actes, en prose, librement traduite et en partie imitee de Sheridan... par A.-H. Chateauneuf. [Theatre de Versailles, 10 aout 1824.] http: //gallica.bnf.fr/ark: /12148/bpt6k575832
WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.
Richard Brinsley Sheridan's last play, an adaptation of August von Kotzebue's Die Spanier in Peru first performed in 1799, was one of the most popular of the entire century. Set during the Spanish Conquest of Peru, Pizarro dramatizes English fears of invasion by Revolutionary France, but it is also surprisingly and critically engaged with Britain's colonial exploits abroad. Pizarro is a play of firsts: the first use of music alongside action, the first collapsing set, the first production to inspire such celebratory ephemera as cartoons, portraits, postcards, even porcelain collector plates. Pizarro marks the end of eighteenth-century drama and the birth of a new theatrical culture. This edition features a comprehensive introduction and extensive appendices documenting the play's first successful performances and global influence. It will appeal to students and scholars of Romantic literature, theatre history, post-colonialism, and Indigenous studies.
Richard Brinsley Sheridan (1751-1816), the Irish-born playwright, poet, and the owner of the Drury Lane Theatre. This annotated edition contains one of his most famous plays, The School for Scandal.
Richard Brinsley Sheridan (1751-1816) was an Irish-born playwright and poet and long-term owner of the London Theatre Royal, Drury Lane. "The Rival" is a great comedy of manners, and "The School for Scandal" established his work in London.
Author names not noted above: Oliver Goldsmith, Percy Bysshe Shelley, Robert Browning, and Lord Byron.Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf.Volume XVIII features six of the greatest plays of 17th-, 18th-, and 19th-century England writers:¿ All for Love, the Shakespearean tragedy by JOHN DRYDEN (1631-1700)¿ The School for Scandal, the comedy of manners by RICHARD BRINSLEY SHERIDAN (1751-1816)¿ She Stoops to Conquer, the satire by OLIVER GOLDSMITH (1730-1774)¿ The Cenci, the controversial verse drama by PERCY BYSSHE SHELLEY (1792-1822)¿ A Blot in the 'Scutcheon, the tragedy by ROBERT BROWNING (1812-1889)¿ Manfred, the supernatural drama by LORD BYRON (1788-1824)
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