Bøker av Richard Elliott

Call it batida, kuduro, Afro house, Lisbon bass: anyone with a keen ear for contemporary developments in global electronic dance music can't fail to have noticed the rise in popularity and influence of Lisbon-based DJs such as DJ Marfox, DJ Nervoso and Nídia. These DJs and producers have brought the sound of the Lisbon projects to the wider world via international club nights, festival appearances, recordings and remix projects for a range of international artists.This book uses the 2006 compilation DJs do Guetto as a prism for exploring this music's aesthetics and its roots in Lusophone Africa, its evolution in the immigrant communities of Lisbon and its journey from there to the world. The story is one of encounters: between people, sounds, neighborhoods, technologies and cultural contexts. Drawing on reflections by DJ Marfox and others, the book establishes DJs do Guetto as a foundation stone not only for a burgeoning music scene, but also for a newfound sense of pride in a place and a community.

In a beautiful part of Yorkshire... four children go on an adventure through the idyllic village of Oxenhope, but all is not as it seems as they stray further and further from the railway station.Join Connor, Morgan, Tyler and Alyssa as they make a new friend, but as they step into the world of the Goblin they discover all is not as it seems.

Fado, often described as 'urban folk music' emerged from the streets of Lisbon in the mid-nineteenth century and went on to become Portugal's 'national' music during the twentieth. This title considers the ways in which fado songs bear witness to the city of Lisbon, in relation to the construction and maintenance of the local.

Discusses the 'ethics' of science communication in light of developments in biotechnology and biomedicine. This book focuses on the role of metaphors in the creation of visions and the framing of scientific advances, as well as their impact on patterns of public acceptance and rejection, trust and scepticism.

Marketing is still widely perceived as simply the creator of wants and needs through selling and advertising and marketing theory has been criticized for not taking a more critical approach to the subject. This text is designed to raise awareness of the critical, ethical, social and methodological issues facing contemporary marketing.

Placing Simone and her music firmly within the socio-historical context of the 1960s, this book also argues for the importance of considering the artist's entire career and for paying greater attention to her music than is often the case in biographical accounts.