Bøker av Richard Hillman

Richard Hillman's latest book on the French connections of early modern English drama shows that Shakespeare regularly inflected the models provided by Italian comedy and tragicomedy by evoking French material, dramatic and non-dramatic. Such inflection especially bears on the tragic overtones that menace or complicate comic resolutions. -- .

Containing wide-ranging reflections on the subject of female transgression in early modern Britain, this volume presents a richly productive dialogue between literary and historical approaches to the topic. The contributors illustrate the dynamic relation between fiction and fact that informs literary and socio-historical analysis alike.

Richard Hillman applies to tragic patterns and practices in early modern England his long-standing critical preoccupation with English-French cultural connections in the period. With primary, though not exclusive, reference on the English side to Shakespeare and Marlowe, and on the French side to a wide range of dramatic and non-dramatic material, he focuses on distinctive elements that emerge within the English tragedy of the 1590s and early 1600s. These include the self-destructive tragic hero, the apparatus of neo-Senecanism (including the Machiavellian villain) and the confrontation between the warrior-hero and the femme fatale. The broad objective is less to 'discover' influences - although some specific points of contact are proposed - than at once to enlarge and refine a common cultural space through juxtaposition and intertextual tracing. The conclusion emerges that the powerful, if ambivalent, fascination of the English for their closest Continental neighbours expressed itself not only in but through the theatre.

These essays apply the postmodernist theory of intertextuality to romantic drama of the English Renaissance, including work by Heywood, Beaumont and Fletcher, Ford, and especially Shakespeare.