Bøker av Richard Wollheim

A brilliant, sinuous exploration of family and childhood memory by one of the most original British philosophers of the twentieth century.Germs is about first things, the seeds from which a life grows, as well as about the illnesses it incurs, the damage it sustains. Written at the end of his life by Richard Wollheim, one of the major philosophers of the late twentieth century, the book is not the usual story of growing up and getting on but a brilliant recovery and evocation of childhood consciousness and unconsciousness, an eerily precise rendering of that primitive, formative world we all come from in which we do not know either the world or ourselves for sure, and things—houses, clothes, meals, parents—loom large around us, as indispensable as they are out of our control. Richard Wollheim’s remarkably original memoir is a disturbing, enthralling, dispassionate but also deeply personal depiction of a child standing, fascinated and fearful, on the threshold of individual life.

One of the twentieth century's most influential texts on philosophical aesthetics Painting as an Art is acclaimed philosopher Richard Wollheim's encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passions--philosophy, psychology, and art--to present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrieving--almost reenacting--the creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.

Reproduced here in facsimile, this volume was originally published in 1965 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.

Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they play in our culture and society. Wollheim's insights into theories of art, criticism, perception and the nature of aesthetic value make this one of the most influential works on aesthetics of the twentieth century.

An approach to the philosophical understanding of a person. Countering prevailing theories on the nature of persons, it submits an account of the mind dynamically conceived and proposes that we take as fundamental the process of living as a person.

The son of affluent parents - a distant, dandified impresario father he revered; a beautiful, mindless 'Gaiety Girl' mother he came to regret loathing - Richard Wollheim grew up in the English suburbia of the 1920s and 1930s. a remarkable exploration of childhood by one of the English-speaking world's most distinguished postwar thinkers.

An account of the emotions, using insights from literature, psychoanalysis and philosophy. Starting from the premise that emotions form a distinct psychological category, Wollheim argues that they are dispositions or underlying forces in the mind that erupt into consciousness from time to time.

This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression. Interweaving philosophy, psychoanalysis, and aesthetics, these essays reveal the critical connections between ideas and disciplines too often regarded as separate and distinct.