Bøker av Robert Anthony

First, this is a repertoire book - not a method book. The 26 pieces in this book are arranged for beginning piano players and appear in the book in a graded order. While some of the pieces toward the end of the book might not be the most difficult to play, a more advanced concept is used. There are two arrangements of each piece: The first provides all fingerings with initial position and change of position in bold (with note names), and all other finger numbers in grayscale. The second has only initial and position change fingerings with no additional help. The goal is to switch from the first version to the second before the piece is memorized. Doing so will help to improve your music reading skill. Streaming audio will be linked below the picture of this book on the 'Large Print Books' page at the Robert Anthony Publishing website. Additionally, instructional videos supporting this book will be also be posted below the picture of this book as they are created. List of Composers: Aguado, J.S. Bach, Bartok, Beethoven, Bolck, Carulli, Czerny, Duvernoy, Gurlitt, Liadov, L. Mozart, W.A. Mozart, Sor, Turk, van der Hofe, Vivaldi.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music for piano without being dependent on finger numbers being provided, such as what one would find in a 'Piano-Vocal-Guitar' book - which is the majority of song books for Pop, Rock, R&B, Country, and so on (for example: Elton John, The Beatles, and Taylor Swift, etc.). Instructions and preview are available at the Robert Anthony Publishing website. Each volume is comprised of 300 progressive eight-bar exercises that train reading skills for both hands equally: Half of the pieces emphasize the right hand, the other half emphasize the left. There are currently three volumes available, and are linked on the Robert Anthony Music website. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. Finger numbers have been included for a small portion of the pieces from the first volume, only to provide examples of correct fingering. That said, there is more than one correct fingering for nearly every piece of music - in this book, or any other. Be sure to study the pages on scales provided on the Robert Anthony Publishing website if you do not already know all of the Major scales with the correct right and left hand fingerings. The pieces are in matched pairs, mostly using invertible counterpoint. If your bass clef reading is weak, you can use the version with the primary melody in treble clef to help you (or vice versa). This is precisely why this book works so well with my own students who previously had struggled with one of the clefs. Additionally, while the melodies and rhythms are the same for the matched pairs, the fingerings are entirely different, therefore providing each with its individual challenges; thus the exercises being separate. The music in these books has been composed to be difficult to memorize. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book after the basic 'C Position has been established. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music and free the musician from being dependent on tablatures or other communication systems that are not used in the academic or professional worlds. This book has been designed to train aural skills concurrently with reading skills. Instructions and preview are available at the Robert Anthony Publishing website. Volume 1 is comprised of 300 progressive exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). Volume 2 expands into all keys of up to four sharps (#) and four flats (b). The exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The primary goal of this book is to train the ability to read music and free the musician from being dependent on tablatures or other communication systems that are not used in the academic or professional worlds. This book has been designed to train aural skills concurrently with reading skills. Instructions and preview are available at the Robert Anthony Publishing website. Volume 1 is comprised of 300 progressive exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). Volume 2 expands into all keys of up to four sharps (#) and four flats (b). The exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Inconvenient interval skips, modal music, set theory, and some atonal passages are used throughout the book. These might be uncomfortable for a beginning musician's ears, but surely any 'professional' music teacher will be able to recognize what they are hearing. The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and thoroughly reinforces them throughout the rest of the book. Instructional Videos will be posted below the standard-print versions of these books on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

The 'Large Print' editions contain the same music as the 'Standard Print' versions: 300 Progressive Sight Reading Exercises. For printing and electronic delivery purposes, the large print editions needed to be released in two parts - each containing 150 of the exercises. Part 1 is comprised of exercises 1-150, and Part 2 is comprised of exercises 151-300. This most recent update includes a new cover design so that the 'Large Print' and 'Standard Print' versions are no longer confused for one another. While this book is intended to train sight-reading and aural skills, it may be used by beginners or those new to reading music to acquire basic reading skills. It starts at a very easy level and gradually introduces a new note, rhythm, or concept, and throughly reinforces them throughout the rest of the book. Preview and instructions will be posted on the Robert Anthony Publishing website.

Volume Two starts out rhythmically simpler than Volume One ends, and then - of course - progresses to a more difficult level, adding dynamic markings, expanding the key signatures to C, G, F, D, Bb, A, Eb, E, Ab Major and their relative minor keys and modes, and adding the time signatures 3/8 and 9/8 into the mix. Instructions and a free preview are available in pdf form at the Robert Anthony Publishing website. Like in Volume One, the exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Next, I have made the staff font slightly larger than standard. While this will largely go unnoticed in the printed version of this book, it should make the electronic versions significantly easier to read. Finally, there are many correct ways to use this book. The instructions and a preview in pdf form are posted on my website so that I can update the instructions as I discover additional strategies. For example, I sometimes receive emails in which people tell me how they like to use this book. My opinions will evolve the more I use this book to train my students, so I want the ability to easily update the instructions as needed. The link for the pdf download will be directly below the picture of the cover of this book. Instructional videos supporting this book will be posted, as they are created, in the same place.

Volume Two starts out rhythmically simpler than Volume One ends, and then - of course - progresses to a more difficult level, adding dynamic markings, expanding the key signatures to C, G, F, D, Bb, A, Eb, E, Ab Major and their relative minor keys and modes, and adding the time signatures 3/8 and 9/8 into the mix. Instructions and a free preview are available in pdf form at the Robert Anthony Publishing website. Like in Volume One, the exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Next, I have made the staff font slightly larger than standard. While this will largely go unnoticed in the printed version of this book, it should make the electronic versions significantly easier to read. Finally, there are many correct ways to use this book. The instructions and a preview in pdf form are posted on my website so that I can update the instructions as I discover additional strategies. For example, I sometimes receive emails in which people tell me how they like to use this book. My opinions will evolve the more I use this book to train my students, so I want the ability to easily update the instructions as needed. The link for the pdf download will be directly below the picture of the cover of this book. Instructional videos supporting this book will be posted, as they are created, in the same place.

Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C, G, F, Bb, and D Major. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). Instructions and a free preview are available in pdf form at the Robert Anthony Publishing website. The exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Next, I have made the staff font slightly larger than standard. While this will largely go unnoticed in the printed version of this book, it should make the electronic versions significantly easier to read. Finally, there are many correct ways to use this book. The instructions and a preview in pdf form are posted on my website so that I can update the instructions as I discover additional strategies. For example, I sometimes receive emails in which people tell me how they like to use this book. My opinions will evolve the more I use this book to train my students, so I want the ability to easily update the instructions as needed. The link for the pdf download will be directly below the picture of the cover of this book. Instructional videos supporting this book will be posted, as they are created, in the same place.

Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C, G, F, Bb, and D Major. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). Instructions and a free preview are available in pdf form at the Robert Anthony Publishing website. The exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books. Next, I have made the staff font slightly larger than standard. While this will largely go unnoticed in the printed version of this book, it should make the electronic versions significantly easier to read. Finally, there are many correct ways to use this book. The instructions and a preview in pdf form are posted on my website so that I can update the instructions as I discover additional strategies. For example, I sometimes receive emails in which people tell me how they like to use this book. My opinions will evolve the more I use this book to train my students, so I want the ability to easily update the instructions as needed. The link for the pdf download will be directly below the picture of the cover of this book. Instructional videos supporting this book will be posted, as they are created, in the same place.

There are two versions of every song presented in this book. The first includes tablature, while the second has only standard notation. Abridged lyrics are included as a guide through the songs. The goal of the student is to transition to the second version prior to memorizing the song to enhance reading and aural skills. In short, this book has been designed to improve your musical skill level. Simple backing tracks are linked below the picture of this book for practice purposes at the Robert Anthony Publishing website Song List: Angels From the Realms of Glory, Angels We Have Heard on High, Auld Lang Syne, Away in a Manger, The Boar's Head Carol, Bring a Torch, Carol of the Bells, Christ Was Born on Christmas Day, Coventry Carol, Deck the Halls, Ding Dong! Merrily on High, The First Noel, The Friendly Beasts, From Heaven Above to Earth I Come, Gesú Bambino, Go Tell it on the Mountain, God Rest Ye Merry Gentlemen, Good Christian Men, Rejoice, Good King Wenceslas, Hallelujah Chorus, Hark! The Herald Angels Sing, Here We Come A-Wassailing, The Holly and the Ivy, It Came Upon the Midnight Clear, Jesu, Joy of Man's Desire, Jingle Bells, Jolly Old St. Nicholas, Joy to the World, Noel! Noel!, O Christmas Tree, O Come All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Ode to Joy, Once in Royal David's City, Silent Night, Toyland, The Twelve Days of Christmas, Up On the Housetop, We Three Kings, We Wish You a Merry Christmas, What Child is This?, While Shepherds Watched Their Flocks.

There are two versions of every song presented in this book. The first has the note names embedded in the note head, and has a fingering written in for every note. The second has only the standard notation with no fingerings or note names. Abridged lyrics are included as a guide through the songs. The goal of the student is to transition to the second version prior to memorizing the song to enhance reading and aural skills. In short, this book has been designed to improve your musical skill level. The numbers in parentheses below the notes in the first arrangements are the string numbers. They appear below the first note, and below any note that requires a string change. The priority of the provided finger numbers is to show the location of the note on the instrument. You may play some notes with a different finger to facilitate better technique. Simple backing tracks are linked below the picture of this book for practice purposes on the Robert Anthony Publishing website. Song List: Angels From the Realms of Glory, Angels We Have Heard on High, Auld Lang Syne, Away in a Manger, The Boar's Head Carol, Bring a Torch, Carol of the Bells, Christ Was Born on Christmas Day, Coventry Carol, Deck the Halls, Ding Dong! Merrily on High, The First Noel, The Friendly Beasts, From Heaven Above to Earth I Come, Gesú Bambino, Go Tell it on the Mountain, God Rest Ye Merry Gentlemen, Good Christian Men, Rejoice, Good King Wenceslas, Hallelujah Chorus, Hark! The Herald Angels Sing, Here We Come A-Wassailing, The Holly and the Ivy, It Came Upon the Midnight Clear, Jesu, Joy of Man's Desire, Jingle Bells, Jolly Old St. Nicholas, Joy to the World, Noel! Noel!, O Christmas Tree, O Come All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Ode to Joy, Once in Royal David's City, Silent Night, Toyland, The Twelve Days of Christmas, Up On the Housetop, We Three Kings, We Wish You a Merry Christmas, What Child is This?, While Shepherds Watched Their Flocks.

There are two versions of every song presented in this book. The first has the note names embedded in the note head, and has a fingering written in for every note. The second has only the standard notation with no fingerings or note names. Abridged lyrics are included as a guide through the songs. The goal of the student is to transition to the second version prior to memorizing the song to enhance reading and aural skills. In short, this book has been designed to improve your musical skill level. The numbers in parentheses below the notes in the first arrangements are the string numbers. They appear below the first note, and below any note that requires a string change. The priority of the provided finger numbers is to show the location of the note on the instrument. You may play some notes with a different finger to facilitate better technique. Simple backing tracks are linked below the picture of this book for practice purposes on the Robert Anthony Publishing website. Song List: Angels From the Realms of Glory, Angels We Have Heard on High, Auld Lang Syne, Away in a Manger, The Boar's Head Carol, Bring a Torch, Carol of the Bells, Christ Was Born on Christmas Day, Coventry Carol, Deck the Halls, Ding Dong! Merrily on High, The First Noel, The Friendly Beasts, From Heaven Above to Earth I Come, Gesú Bambino, Go Tell it on the Mountain, God Rest Ye Merry Gentlemen, Good Christian Men, Rejoice, Good King Wenceslas, Hallelujah Chorus, Hark! The Herald Angels Sing, Here We Come A-Wassailing, The Holly and the Ivy, It Came Upon the Midnight Clear, Jesu, Joy of Man's Desire, Jingle Bells, Jolly Old St. Nicholas, Joy to the World, Noel! Noel!, O Christmas Tree, O Come All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Ode to Joy, Once in Royal David's City, Silent Night, Toyland, The Twelve Days of Christmas, Up On the Housetop, We Three Kings, We Wish You a Merry Christmas, What Child is This?, While Shepherds Watched Their Flocks.

There are two versions of every song presented in this book. The first has the note names embedded in the note head, and the accidentals (sharps and flats) on the staff instead of in a key signature. The second utilizes key signatures, without courtesy accidentals or note names. The goal of the student is to transition to the second version prior to memorizing the song to enhance reading and aural skills. In short, this book has been designed to improve your musical skill level. Simple backing tracks are linked below the picture of this book for practice purposes on the Robert Anthony Publishing website. Song List: Angels From the Realms of Glory, Angels We Have Heard on High, Auld Lang Syne, Away in a Manger, The Boar's Head Carol, Bring a Torch, Carol of the Bells, Christ Was Born on Christmas Day, Coventry Carol, Deck the Halls, Ding Dong! Merrily on High, The First Noel, The Friendly Beasts, From Heaven Above to Earth I Come, Gesú Bambino, Go Tell it on the Mountain, God Rest Ye Merry Gentlemen, Good Christian Men, Rejoice, Good King Wenceslas, Hallelujah Chorus, Hark! The Herald Angels Sing, Here We Come A-Wassailing, The Holly and the Ivy, It Came Upon the Midnight Clear, Jesu, Joy of Man's Desire, Jingle Bells, Jolly Old St. Nicholas, Joy to the World, Noel! Noel!, O Christmas Tree, O Come All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Ode to Joy, Once in Royal David's City, Silent Night, Toyland, The Twelve Days of Christmas, Up On the Housetop, We Three Kings, We Wish You a Merry Christmas, What Child is This?, While Shepherds Watched Their Flocks.

There are two versions of every song presented in this book. The first includes tablature, while the second has only standard notation. Abridged lyrics are included as a guide through the songs. The goal of the student is to transition to the second version prior to memorizing the song to enhance reading and aural skills. In short, this book has been designed to improve your musical skill level. Simple backing tracks are linked below the picture of this book for practice purposes at the Robert Anthony Publishing website Song List: Angels From the Realms of Glory, Angels We Have Heard on High, Auld Lang Syne, Away in a Manger, The Boar's Head Carol, Bring a Torch, Carol of the Bells, Christ Was Born on Christmas Day, Coventry Carol, Deck the Halls, Ding Dong! Merrily on High, The First Noel, The Friendly Beasts, From Heaven Above to Earth I Come, Gesú Bambino, Go Tell it on the Mountain, God Rest Ye Merry Gentlemen, Good Christian Men, Rejoice, Good King Wenceslas, Hallelujah Chorus, Hark! The Herald Angels Sing, Here We Come A-Wassailing, The Holly and the Ivy, It Came Upon the Midnight Clear, Jesu, Joy of Man's Desire, Jingle Bells, Jolly Old St. Nicholas, Joy to the World, Noel! Noel!, O Christmas Tree, O Come All Ye Faithful, O Come, O Come, Emmanuel, O Little Town of Bethlehem, Ode to Joy, Once in Royal David's City, Silent Night, Toyland, The Twelve Days of Christmas, Up On the Housetop, We Three Kings, We Wish You a Merry Christmas, What Child is This?, While Shepherds Watched Their Flocks.

The primary goal of this book is to train the ability to read music and free the musician from being dependent on tablatures or other communication systems that are not used in the academic or professional worlds. This book has been designed to train aural skills concurrently with reading skills. Instructions and preview are available at the Robert Anthony Publishing website. Volume 1 is comprised of 300 progressive exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). Volume 2 expands into all keys of up to four sharps (#) and four flats (b). The exercises are all eight measures (two phrases, or one period) in length. While they are composed to be melodic and pleasant to the ear, they are also composed to be difficult to memorize, and utilize many rhythms that seem to be absent from other sight reading books.. LARGE PRINT versions are available. They are linked on the aforementioned site, or can be searched for on Amazon. Finally, some fundamental pages on scales and rhythms have been included for convenience. The scale pages are the only place in this book where tablature has been used.