Bøker av Robert Archambeau

Jazz-age Paris was the center of the artistic and literary world, and the center of the center was Gertrude Stein's salon, where the famous and aspiring creative talents gathered to gawk at Stein's Picassos and vie for status. Young Midwesterner Ida Caine arrives in Paris with her husband Teddy, a would-be Hemingway who thinks he can adventure first and write later. When Teddy falls in with the Stein set, he brings Ida to the salon, where she is shunted into a corner with the wives of famous men. She burns with resentment and wonders if she can ever develop into a real artist herself. A few days later, Gertrude Stein's partner Alice B. Toklas vanishes. Stein calls upon Teddy to investigate. Soon after, he vanishes. Forced to seek out her missing husband, Ida follows his trail through a milieu including strange Surrealist rituals, Tarot card readings, and the catacombs beneath the city. She falls in with a young American poet, T.S. Eliot. An unlikely passion grows while they seek answers to the shocking disappearances.

This collection of poems is notable for its variety: both traditional and experimental, it covers ground from academic satire to the history of industrialization to David Bowie. It will appeal to audiences across the spectrum, from academics to fans of poetry slams.

Robert Archambeau examines the influence of the poet and critic Yvor Winters on his final generation of graduate students at Stanford in the early 1960s: Robert Hass, Robert Pinsky, James McMichael, John Matthias, and John Peck. Archambeau divides the poets into two groups, laureates and heretics. Hass and Pinsky, each of whom served multiple terms as United Sates Poet Laureate, achieved both popular recognition and institutional renown. In contrast, the poetic accomplishments of Matthias, McMichael, and Peck (and to some extent Winters himself), the "e;heretics,"e; have not resulted in wide readership or institutional canonization. Archambeau begins with the context of the modernist poetics Winters first espoused and then rejected. The story that follows--of how his five most prominent students accepted, rejected, or transformed Winters's poetics, and how these poets went on to greater or lesser degrees of success in the field of late twentieth-century letters-illuminates the cultural politics of poetry in our own day. The author provides close readings of poems by this diverse group of poets, places their careers and works in the context of their times, and traces the relationship between American literary history and American canons of literary taste from the 1930s to the present day. Laureates and Heretics is an important contribution to American literary history and American poetry.

The poetry of John Matthias has long been admired by other poets for the way it refuses to be categorized. Lyrical and experimental, cosmopolitan and rooted in place, it challenges our received notions of what poetry can be at the end of the twentieth century.