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Robert Bly writes that it is clear to men that the images of adult manhood given by popular culture are worn out, that a man can no longer depend on them. Iron John searches for a new vision of what a man is or could be, drawing on psychology, anthropology, mythology, folklore and legend. Robert Bly looks at the importance of the Wild Man (reminiscent of the Wild Woman in Women Who Run With the Wolves), who he compares to a Zen priest, a shaman or a woodman.'This book needs to be read, I believe, not as a dry work of scholarship to be judged coolly by the mind, but as the work of a poet struggling to convey an emotional experience and lead us to what he has found within himself' Guardian'Eclectic and unclassifiable. Iron John is a work whose mentors are the prophetic poets and crazies, William Blake and Walt Whitman' Sydney Morning Herald'Important.timely.and powerful' New York Times
Shows you how to grab attention and drive sales with customer-focused, results-based Web copy. This book applies persuasive techniques to the interactive capabilities and unique possibilities of the Web. It includes insider tips on how to write a copy for: Websites; Home pages; Internet direct mail; Banner ads; Landing pages; and E-zines.
Robert Bly's ground-breaking anthology of spiritual poems, the result of over a decade of personal research, celebrates the ongoing role of the divine in literature. For as long as people have lived together in communities and built enduring cultures, they have sung and written about their relationship with the God or gods they believed in. In the words of the Irish writer Sean O'Faolain, "all good writing in the end is the writer's argument with God."The Soul Is Here For Its Own Joy gathers poems from a wide range of cultures and traditions and divides them into ten parts, each forming a resonant exploration of a specific and timeless spiritual question. Selections include the work of Dante, Dogen, Goethe, Hafez, Juan Ramon Jimenez, Kabir, Lalla, Li Po, Mirabai, Mary Oliver, Owl Woman, Rainer Maria Rilke, and Rumi, in addition to Blake, Dickinson, Donne, Hopkins, Stevens, Yeats, and other important English and American poets. Together these poems form both a celebration and a quest--a kind of pilgrim's progress that embraces all the rich wisdom of East and West, ancient and modern, male and female, spirit and flesh.
In his richest and most varied collection of poems to date, Robert Bly mines lifelong fascination with poetic form. The poems in Talking into the Ear of a Donkey range from free verse to Bly's uniquely American version of the famous ghazal form. In the title poem, Bly addresses the "donkey"-possibly poetry itself-which has carried him through a writing life of more than six decades:from "Talking into the Ear of a Donkey" "What has happened to the spring," I cry, "and our legs that were so joyful In the bobblings of April?" "Oh, never mind About all that," the donkey Says. "Just take hold of my mane, so you Can lift your lips closer to my hairy ears."
Originally published in 1976, with more than 75,000 copies in print, this collection of poems by fifteenth-century ecstatic poet Kabir is full of fun and full of thought. Columbia University professor of religion John Stratton Hawley has contributed an introduction that makes clear Kabir's immense importance to the contemporary reader and praises Bly's intuitive translations.By making every reader consider anew their religious thinking, the poems of Kabir seem as relevant today as when they were first written.
Mirabai is a literary and spiritual figure of legendary proportions. Born a princess in the region of Rajasthan in 1498, Mira (as she is more commonly known) eschewed the marriage her royal family had arranged for her, celebrating instead her right to independence and intense devotion to Krishna in both her life and poetry. In this collection, Robert Bly and Jane Hirshfield, two of America''s best poets, have created lively English versions of Mirabai''s poems, using fresh images and energetic rhythms to make them accessible to modern readers.
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