Bøker av Robert Curry

""We hold these Truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness." We have heard and read this sentence all our lives. It is perfectly familiar. But if we pause long enough to ask ourselves why Jefferson wrote it in exactly this way, questions quickly arise. Jefferson chose to use rather special and very precise terms. He did not simply claim that we have these rights; he claimed they are unalienable. Why "unalienable"? Unalienable, of course, means not alienable. Why was the distinction between alienable and unalienable rights so important to the Founders that it made its way into the Declaration? For that matter, where did it come from? You might almost get the impression that the Founders' examination of our rights had focused on alienable versus unalienable rights-and you would be correct. In addition, the Declaration does not simply claim that these are truths; it claims they are self-evident truths. Why "self-evident"? The Declaration's special claim about its truths, it turns out, is the result of those same deliberations as a result of which, in the words of George Washington, "the rights of mankind were better understood and more clearly defined than at any former period." If a friendly visitor from another country sat you down and asked you with sincere interest why the Declaration highlights these very special terms, could you answer them clearly and accurately and with confidence? Would you like to be able to? "--

This project of restoration includes an examination of the absurdity of the attacks on common sense. It also turns to well-known stories drawn from the Western literary tradition to help readers again find their footing in the world of common sense.

Masterful essays honoring the great pianist and critic Charles Rosen, on masterpieces from Bach and Beethoven to Chopin, Verdi, and Stockhausen.Charles Rosen, the pianist and man of letters, is perhaps the single most influential writer on music of the past half-century. While Rosen's vast range as a writer and performer is encyclopedic, it has focused particularly on theliving "e;canonical"e; repertory extending from Bach to Boulez. Inspired in its liveliness and variety of critical approaches by Charles Rosen's challenging work, Variations on the Canon offers original essays by some of the world's most eminent musical scholars. Contributors address such issues as style and compositional technique, genre, influence and modeling, and reception history; develop insights afforded by close examination of compositional sketches; and consider what language and metaphors might most meaningfully convey insights into music. However diverse the modes of inquiry, each essay sheds new light on the works of those composers posterity has deemed central to the modern Western musical tradition. Contributors: Pierre Boulez, Scott Burnham, Elliott Carter, Robert Curry, Walter Frisch, David Gable, Philip Gossett, Jeffrey Kallberg, Joseph Kerman, Richard Kramer, William Kinderman, Lewis Lockwood, Sir Charles Mackerras, Robert L. Marshall, Robert P. Morgan, Charles Rosen, Julian Rushton, David Schulenberg, Laszlo Somfai, Leo Treitler, James Webster, and Robert Winter. Robert Curry is principalof the Conservatorium High School and honorary senior lecturer in the Centre for Medieval Studies, University of Sydney; David Gable is Assistant Professor of Music at Clark-Atlanta University; Robert L. Marshall is Louis, Frances, and Jeffrey Sachar Professor Emeritus of Music at Brandeis University.