Bøker av Robert Louis Stevenson

Robert Louis Stevenson was a 19th century Scottish essayist, poet, novelist, and travel writer. His most famous works are Kidnapped, Dr Jekyll and Mr. Hyde, and Treasure Island. Henry Charles Fleeming Jenkin (1833 -1885) was Professor of Engineering at the University of Edinburgh. He is known as the inventor of telpherage. Jenkin was an electrician and cable engineer, a lecturer, linguist, critic, actor, dramatist and artist. In the spring of 1855, he was fitting out the S.S. Elba for his first telegraph cruise. In 1855, Henry Brett had attempted to lay cable across the Mediterranean Sea. Jenkin was part of the crew hired to retrieve the sunken cable.

Treasure Island is the ultimate pirate adventure story, replete with treasure and an unforgettable cast, including Jim Hawkins, the boy at the centre of the action; Billy Bones, the pirate with the all important treasure map; Captain Alexander Smollet, the stubborn yet loyal captain of the Hispaniola; Israel Hands, ship's coxswain who tries to kill Jim Hawkins but ends up in Davy Jones' Locker; Ben Gunn, a half-insane and marooned ex-pirate; Pew, a blind ex-pirate who dies when trampled by horses; and, of course, Long John Silver, the famous amputee who was formerly Flint's quartermaster but later becomes the leader of Hispaniola's mutineers. Join this cast for a fantastic adventure and treasure hunt, but watch out for the "Black Spot"-a card with a circular black spot in the middle given to an accused. It means the pirate will be overturned as leader, by force if necessary-or else killed outright. Not impressed? You should be-after all, just being tipped with the Black Spot scared poor Billy Bones to death. This publication of Treasure Island is part of the Qualitas Classics Fireside Series, where pure, ageless classics are present in clean, easy to read reprints. For a complete list of titles, see: www.qualitaspublishing.com

Originally published: New York: C. Scribner's Sons, 1896.

From the beloved author of Treasure Island Originally serialized in a periodical of boys' adventure fiction, The Black Arrow is a swashbuckling portrait of a young man's journey to discover the heroism within himself. Young Dick Shelton, caught in the midst of England's War of the Roses, finds his loyalties torn between the guardian who will ultimately betray him and the leader of a secret fellowship, The Black Arrow. As Shelton is drawn deeper into this conspiracy, he must distinguish friend from foe and confront war, shipwreck, revenge, murder, and forbidden love, as England's crown threatens to topple around him.

In these essays, Stevenson gives advice on a variety of subjects, ranging from inspiration and direction to the technical methods of writing. He explains the basic tools of word choice, rhythm in verse and prose, plotting, and style, with a discussion of the morality of writing--the potential for good that literature has, and the responsibility of the writer to wisely use that power. Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - Gentlemen, - In the volume now in your hands, the authors have touched upon that ugly devil of crime, with which it is your glory to have contended. It were a waste of ink to do so in a serious spirit. Let us dedicate our horror to acts of a more mingled strain, where crime preserves some features of nobility, and where reason and humanity can still relish the temptation. Horror, in this case, is due to Mr. Parnell: he sits before posterity silent, Mr. Forster's appeal echoing down the ages. Horror is due to ourselves, in that we have so long coquetted with political crime; not seriously weighing, not acutely following it from cause to consequence; but with a generous, unfounded heat of sentiment, like the schoolboy with the penny tale, applauding what was specious. When it touched ourselves (truly in a vile shape), we proved false to the imaginations; discovered, in a clap, that crime was no less cruel and no less ugly under sounding names; and recoiled from our false deities. But seriousness comes most in place when we are to speak of our defenders. Whoever be in the right in this great and confused war of politics; whatever elements of greed, whatever traits of the bully, dishonour both parties in this inhuman contest; - your side, your part, is at least pure of doubt. Yours is the side of the child, of the breeding woman, of individual pity and public trust. If our society were the mere kingdom of the devil (as indeed it wears some of his colours) it yet embraces many precious elements and many innocent persons whom it is a glory to defend.