Bøker av Robert Riggs

Primordial American Terrorists presents a stunning new interpretation of events leading to the end of legal slavery in the United States. It tells a gripping story, not only of terrorists who struck suddenly and savagely out of intense passion for a cause, but also, of equally passionate men and women who dedicated themselves to bringing about social justice through advocacy and other non-violent means. It is for any reader who enjoys learning about humanity through the lens of a history that is never fictionalized. Whenever a new act of terrorist violence bursts upon us, we strain to find the comfort of a logical explanation. That effort, though, is fraught with paradox. One of the most profound is the duality observed in the personality of the perpetrator. In lives apart from their defining act, terrorists frequently are lauded by friends and family as upstanding individuals, distinguished for kindness, good behavior, and charity ... It has been noticed that terrorists, in their mental makeup, tend to resemble each other. Our mission is to address the questions: How and why?

Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts. CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny. Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).