Bøker av Robin Robertson

Este livro trata das descobertas na área da psicologia que foram sistematizadas por Carl Gustav Jung na primeira metade do século XX, e de absoluta relevância para o século XXI. Por meio desta introdução prática ao trabalho e às ideias de Jung, o dr. Robertson explica como o grande médico psiquiatra suíço reintroduziu os ocidentais no mundo dos arquétipos ¿ as imagens do inconsciente coletivo ¿, da mitologia e dos símbolos da natureza. De forma clara, direta e didática, tal como em um curso, ele discute a estrutura e a dinâmica da psique, o significado dos sonhos, a sombra, os tipos psicológicos, os conceitos de anima e animus, e a misteriosa figura do Self. Um livro inspirador, que tornará a empolgante filosofia/psicologia de Jung parte de sua vida, assim como uma busca pela melhor e mais completa versão de si mesmo.

A haunting collection of 'New Scottish Folktales' from award-winning poet Robin Robertson, featuring beautiful drawings throughout and an introduction by writer Val McDermid.

Twenty-five hundred years ago, Pythagoras taught that the simple counting numbers are the basic building blocks of reality. A century and a half later, Plato argued that the world we live in is but a poor copy of the world of ideas. Neither realized that their numbers and ideas might also be the most basic components of the human psych: archetypes. This book traces the modern evolution of this idea from the Renaissance to the 20th century, leading up to the archetypal hypothesis of psychologist C. G. Jung, and the mirroring of mathematical ideas of Kurt Gödel.

Shortlisted for the Man Booker Prize 2018, this powerful and extraordinary novel follows a D-Day veteran as he goes in search of freedom and repair in post-war America.

Charged with strangeness and beauty, Hill of Doors is a haunted and haunting book, where each successive poem seems a shape conjured from the shadows, and where the uncanny is made physically present. The collection sees the return of some familiar members of the Robertson company, including Strindberg - heading, as usual, towards calamity - and the shape-shifter Dionysus. Four loose retellings of stories of the Greek god form pillars for the book, alongside four short Ovid versions. Threaded through these are a series of pieces about the poet's childhood on the north-east coast, his fascination with the sea and the islands of Scotland. However, the reader will also discover a distinct new note in Robertson's austere but ravishing poetry: towards the possibility of contentment - a house, a door, a key - finding, at last, a 'happiness of the hand and heart'. Magisterial in its command and range, indelibly moving and memorable in its speech, Hill of Doors is Robin Robertson's most powerful book to date.

Robin Robertson's fourth collection is, if anything, an even more intense, moving, bleakly lyrical, and at times shocking book than Swithering, winner of the Forward Prize. These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze - whether on the natural world or the details of his own life - is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour. Alongside fine translations from Neruda and Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in The Wrecking Light pitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems - certainties become volatile, the simplest situations thicken with strangeness and threat - all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark. This is a book of considerable grandeur and sweep which confirms Robertson as one of the most arresting and powerful poets at work today. 'Robin Robertson continues to explore the bleak, beautiful territory that he has made his own. His stripped-bare lyricism, haunted by echoes of folksong, is as unforgiving as the weather and poems such as 'At Roane Head' show him writing at the height of his considerable powers' The Times

WINNER OF THE 2006 FORWARD PRIZE In Scots, the verb 'swither' has two meanings: to be doubtful, to waver, to be in two minds; and to appear in shifting forms - indeterminate and volatile. From disarmingly direct poems about the end of childhood to erotically charged lyrics about the ends of desire, Robertson's powerful third collection is stalked and haunted by both senses. Hard-edged, pitch-perfect, effortlessly various, Swithering is a book of brave and black romance, locating its voice in that space where great change is an ever-present possibility. Swithering has just won the Forward Prize for Best Collection and is also shortlisted for this year's T.S. Eliot Prize.

Poetry Book Society Recommendation