Bøker av Rodanthi Tzanelli

A malleable concept, 'Ultraism' was born in early twentieth century Spain as an attempt to innovate poetic techniques in response to the dominant at the time European trends of futurism, dadaism and surrealism. However, 'Ultraism' was already etymologically and contextually embedded in the extreme post-World War I political philosophies of belief and action that would lead to the 'final solution'. Where Ultraist poetry narrated modernity's hypermobile stylistics of the enervating urban life, the anonymous masses of the streets, and the increasing mechanisation of sociality, Hitler's Ultraism would result in the dehumanization of planetary futures. This collection of poems asks a burning question: is the twenty first century harbouring the preconditions for a return of what humanity thought was not going to be repeated again?

The symbol # is one of the most frequently used symbols in social media platforms. Its compact form reduces a variety of interactions and intentions to an image. This collection of poems takes hashtags as a unifying symbol of protest, a way of 'breaking the silence' over injustices against fellow humans and the environment. Each poem comes with its own composite image and hashtag to tell a different story rooted in the specifics of a particular place and time in planetary history.

Through methodological elaborations on case studies, Tzanelli explains that we have entered a new era of tourism and hospitality mobilities dominated by crises of cultural representation and host presence.

Taking the delayed Tokyo 2020 Olympic Games as a case study, Tzanelli explores mega-event crisis and risk management in the era of extreme urbanisation, natural disasters, global pandemic, and technoscientific control.

This book examines the London 2012 opening and closing ceremonies and the handover to Rio 2016 as articulations of national and cosmopolitan belonging. The ceremonial performances supported imaginative travel and created a tornadoros: an ideal form of 'human' that manipulates audiovisual narratives of culture and identity for global audiences.

Hollywood screening of tourist destinations has generated tourist industries globally, transforming conventional tourist marketing and experience. This book provides a look at the phenomenon of 'cinematic tourism', exploring audiences' perceptions of film and their covert relationship with tourist advertising campaigns.

This book offers a provocative theorization of nationhood, focusing on the key role played by dialogic relations of hegemony, resistance and reciprocity in the birth of the modern European nation. The relationship between Greece and Britain at the end of the nineteenth century uncovers the linguistic construction of nationalism.