Bøker av Rodrigo Rey Rosa

This sumptuously written thriller asks probing questions about how we live with each other and with our planet.Raised on his wits on the streets of Central America, the Cobra, a young debt collector and gang enforcer, has never had the chance to discern between right and wrong, until he¿s assigned the murder of Polo, a prominent human rights activist¿and his friend. When his conscience gives him pause and his patrón catches on, a remote Mayan community offers the Cobra a potential refuge, but the people there are up against predatory mining companies. With danger encroaching, the Cobra is forced to confront his violent past and make a decision about what he¿s willing to risk in the future, and who it will be for.Following the Cobra, Polo, a faction of drug-dealing oligarchs, and Jacobo, a child caught in the crosshairs, Rey Rosa maps an extensive web of corruption upheld by decades of political oppression. A scathing indictment of exploitation in all its forms, The Country of Toó is a gripping account of what it means to consider societal change under the constant threat of violence.

A young man, Juan Luis Luna, is kidnapped in Guatemala City and held at the bottom of a rusty, empty underground fuel tank in an abandoned gas station. The kidnappers demand a ransom; his rich father does not reply. The kidnappers threaten to cut off his son's foot and still hear nothing. They then slice off one of Juan Luis's toes and send it to his father, who still refuses to act. So the next day... The Good Cripple obsessively focused, chilling, allegorical is stunningly explosive. With its enigmatic beginning, however, and its circular relentless structure, the novel is also dense with ideas: can one be whole after mutilation? Can the injured transcend violence? Rodrigo Rey Rosa's style is of a lithe pristine clarity, but beneath that calm surface cruelty, revenge, and diffidence churn darkly away. The Good Cripple is an astonishingly intense book, and as unforgettable as the sight of "the place where the foot had been severed, where a circle of red flesh, now a little black along the edges, could be seen, with a concentric circle of white bone that was both milky and glassy..."