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"I never thought I'd see you here," Sarah says. Then she adds, "But I never thought I'd see you anywhere."Sarah and Warren's college love story ended in a single moment. Decades later, when a chance meeting brings them together, a passion ignites threatening the foundations of their lives. Since they parted in college, each has married, raised a family, and made a career. When they meet again, Sarah is divorced and living outside New York, while Warren is still married and living in Boston.Seeing Warren sparks an awakening in Sarah, who feels emotionally alive for the first time in decades. Still, she hesitates to reclaim a chance at love after her painful divorce and years of framing her life around her children and her work. Warren has no such reservations: he wants to leave his marriage but fears how his wife and daughter will react. As their affair intensifies, Sarah and Warren must confront the moral responsibilities of their love for their families and each other.An engrossing exploration of the vows we make to one another, the tensile relationships between parents and their children, and what we owe to others and ourselves, "Leaving is a tour de force-unfailingly clear-eyed, and its final impact shatters." (Washington Post)
A cinematic Reconstruction-era drama of violence and fraught moral reckoningIn Dawson's Fall, a novel based on the lives of Roxana Robinson's great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson's tale weaves her family's journal entries and letters with a novelist's narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country's new political, social, and moral landscape.Dawson, a man of fierce opinions, came to this country as a young Englishman to fight for the Confederacy in a war he understood as a conflict over states' rights. He later became the editor of the Charleston News and Courier, finding a platform of real influence in the editorial column and emerging as a voice of the New South. With his wife and two children, he tried to lead a life that adhered to his staunch principles: equal rights, rule of law, and nonviolence, unswayed by the caprices of popular opinion. But he couldn't control the political whims of his readers. As he wrangled diligently in his columns with questions of citizenship, equality, justice, and slavery, his newspaper rapidly lost readership, and he was plagued by financial worries. Nor could Dawson control the whims of the heart: his Swiss governess became embroiled in a tense affair with a drunkard doctor, which threatened to stain his family's reputation. In the end, Dawson-a man in many ways representative of the country at this time-was felled by the very violence he vehemently opposed.
This is without question the best book ever written on O'Keeffe' New YorkerBorn on a wheat farm in Wisconsin in 1887, the second of seven children, Georgia O'Keeffe had her eyes wide open to the beauty of nature from the very beginning, and by her twenties had become a formidable artist, and a strikingly original and spirited young woman. Moving first to Chicago and then to New York to pursue her studies, her consciousness was enlarged by her discovery of the modernist movement, and by the work both produced and shown by the photographer and art dealer Alfred Stieglitz.Making her way in the world - first as a commercial artist and then as an art teacher - O'Keeffe developed her own original style. When Alfred Stieglitz discovered her work he was the first to exhibit it. Twenty-three years her senior, Stieglitz later fell in love with the artist as well as the work. O'Keeffe moved to New York in 1918 and married Stieglitz in 1924. She found herself a muse as well as an artist, and entered a circle of America's most vibrant and boundary-pushing artists - and became herself one of the most important and successful of them all.But O'Keeffe fell in love again - this time with the bewitching landscapes of New Mexico,. She began spending half of each year there, and when Stieglitz died in 1949 she moved there for good, and lived there for the rest of her life, taking pleasure in the otherworldly beauty of the Ghost Ranch, north of Abiquiú.Following O'Keeffe's early bud and sensational bloom, her loves, losses, agonies and ecstasies, and her painting against the dying of the light, Roxana Robinson's spellbinding and definitive biography has now been updated for the twenty-first century with a new foreword and access to never-before-seen letters. Written with the cooperation of the O'Keeffe family, and with access to sources closed to biographers during O'Keeffe's lifetime, It remains an unparalleled portrait of one of the most important female artists of all time.
A Maine vacation forces a young woman to challenge her own understanding of the world in a sharply insightful first novel
This biography draws on many sources closed to writers during O'Keeffe's lifetime and has the co-operation of the O'Keeffe family. O'Keeffe's life spanned nearly a century of ferment and change in America and although part of the modernist movement she established her own unique vision.
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