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Hillbilly Guilt is populated with those whose lives aren't deemed important: the poor and working poor of Appalachia, who live what it is to be American.This is a book that seeks to show that we are the sum of our mistakes. Not just the little goofs, either; but the huge, world-shattering blunders that go to the core of what it is to be human. The title poem "Hillbilly Guilt"-the frontispiece and forward to the book as a whole-asserts moments of resilience if not Triumph, the chance to heal if not a deliverance from the possibility of further injury: I waved someone down who took us to a hospital.I recall he broke his nose. That it bled and bledand that he wanted me to believe what he saidhappened, had happened that way. He seemed to want not to feel what he felt at having riskedour lives for nothing. Oh, and I have to tell you: the Chevy-to-a-hospital that stopped had a Virgin Mary on its curving, blue dashboard and that plasticfigure said what it said about having a little faith.These poems exist in a kind of Twilight Zone of expectation and hope and knowing that country by a whole bunch of names. As a survivor of the Great American Beating We Give Ourselves for Falling Short, the writer invites us to live, innocent and less so-as in the poem "Lazarus, Later" Don't get me wrong. I was in a hurry to flee the tomb.Quick to step from one imperium of flesh into another.However, I paused a short while to let my eyes adjust.Not to be honored or genuflect but to let it all sink in.
My Mother's Red Ford represents Roy Bentley's first six books, four of which won or distinguished themselves in national competitions. According to Kate Fox, writing of Walking with Eve in the Loved City: "Readers of the Dayton, Ohio native's previous collections--Boy in a Boat, Any One Man, The Trouble with a Short Horse in Montana, and Starlight Taxi--will recognize many of the people and places in Walking with Eve in the Loved City: Bentley's ancestors, Dayton's Comanche Drive, Sonny and Bobby Osborne, Roy's Shell Station, Jupiter, Florida, and Fleming-Neon, Kentucky. All are elevated through the loving crucible of memory and language to divine status."
Includes poems that are filled with characters pressing on through all the loss, disappointment, and ordinary confusions of living.
Roy Bentley is the author of Walking with Eve in the Loved City, a finalist for the Miller Williams Poetry Prize, and Starlight Taxi, which won the Blue Lynx Poetry Prize. His other books include The Trouble with a Short Horse in Montana, Any One Man, and Boy in a Boat. He has received fellowships from the Florida Division of Cultural Affairs, the Ohio Arts Council, and the NEA.
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