Bøker av Sarah Perks

An in-depth study of the expanding role of the moving image in British art over the past thirty years Over the past three decades the moving image has grown from a marginalized medium of British art into one of the nation's most vital areas of artistic practice. How did we get here? Artists' Moving Image in Britain Since 1989 seeks to provide answers, unfolding some of the narratives-disparate, entwined, and often colorful-that have come to define this field. Ambitious in scope, this anthology considers artists and artworks alongside the organizations, institutions, and economies in which they exist. Writings by scholars from both art history and film studies, curators from diverse backgrounds, and artists from across generations offer a provocative and multifaceted assessment of the evolving position of the moving image in the British art world and consider the effects of numerous technological, institutional, and creative developments. Distributed for the Paul Mellon Center for Studies in British Art

Incidents of Travel in the Multiverse focuses on three films directed by the acclaimed British artists and filmmakers AL and AL. The first story travels to the edge of a black hole, as superstring physicist Brian Greene and composer Philip Glass bring Einstein's general theory of relativity to life. The second story sees thinking machines from the future travel back in time in search of their creator, Alan Turing, while the final story, made with nanobiophysicist Bart Hoogenboom, travels across the universe on a mission to find the origins of life and a cure for death. This book brings the creative process of AL and AL's filmmaking to life through previously unseen material from their archives, including photographs, drawings, correspondence, screenplays and notes. Texts by Marina Warner, celebrated science writer Brian Greene and best selling graphic novelist Grant Morrison examine the theory of the multiverse.

Suitable for those requiring a short, sharp exposure to the cinemas of France, India and East Asia, this work expands our understanding of the cinemas - with particular reference to the term 'New Wave' - while also discovering various films to widen Film Studies teaching in general.