Bøker av Selima Hill

Hot on the heels of her previous collection Men Who Feed Pigeons, Selima Hill's Women in Comfortable Shoes is the 21st book of poetry from "the UK's Emily Dickinson". This collection presents eleven contrasting but well-fitting sequences of short poems relating to women, including: Fishface, in which a disobedient young girl is sent to a Catholic convent school to give her mother a break; Fridge, in which trucks, geese and fridges speak of death, grief and absence; and Girls without Hamsters, which deals with an older woman's obsession with a spider-legged young man.Writing with her trademark wit and originality, Selima Hill looks closely at the complications and contradictions that define our lives and relationships.

Known for her surreal, disturbing, uncomfortably humorous poems, Selima Hill is one of Britain's leading poets. Her Forward-shortlisted 20th collection brings together seven sequences of short poems relating to men and to women's relationships with men.

I May Be Stupid But I'm Not That Stupid is Selima Hill's 19th book of poetry and features six contrasting but complementary poem sequences: about family, fear, abuse and autism, and finding refuge with swimming, dogs and a jovial uncle.

Three contrasting but complementary, familial poem sequences by the TS Eliot Prize-shortlisted poet: Buttercup the Sloth, about mothers; Lobo-Lobo, about sisters; and Behold My Father on His Bicycle, about exactly that.

Selima Hill's 17th book of poetry - her 14th from Bloodaxe - is the account of a young woman's stay in the psychiatric ward of a large hospital. It was shortlisted for the Roehampton Poetry Prize.

Selima Hill is one of Britain's leading poets, the winner of the Whitbread Poetry Award (the forerunner of the Costa). The Sparkling Jewel of Naturism is her 15th book of poetry - her 12th from Bloodaxe - and comprises three sequences.

Selima Hill is one of Britain's leading poets, the winner of the Whitbread Poetry Award (the forerunner of the Costa). "People Who Like Meatballs" is her 14th book of poetry - her 11th from Bloodaxe.

Covers Selima Hill's books from "Saying Hello at the Station" (1984) to "Red Roses" (2006), and "The Hat" (2008). This book is a selection drawn from ten collections, each offering variations on her abiding themes: women's identities, love and loss, repression and abuse, family conflict and mental illness, men, animals and human civilisation.

Two sequences of of poems on forgiveness combined in a collection which was shortlisted for the T.S. Eliot Prize. Hill is one of Britain's leading poets and previously won the Whitbread Poetry Award.

Brings together four poem sequences about motherhood. This book explores love and having a mother. It shows the impact of Asperger's syndrome on both mother and child.

A portrayal of a woman's struggle to regain her identity. It emerges through a series of short poems, often related to animals: how she is preyed upon and betrayed, misunderstood, compromised and not allowed to be herself.