Bøker av Seneca

"A vibrant new translation of Seneca's "On the Shortness of Life," a pointed reminder to make the most of a precious asset: our timeWho doesn't worry sometimes that smart phones, the internet, and TV are robbing us of time and preventing us from having a life? How can we make the most of our time on earth? In the first century AD, the Stoic philosopher Seneca the Younger offered one of the most famous answers to that question in his essay, "On the Shortness of Life"-a work that has more to teach us today than ever before. In How to Have a Life, James Romm presents a vibrant new translation of Seneca's brilliant essay, plus two Senecan letters on the same theme, complete with the original Latin on facing pages and an inviting introduction.With devastating satiric wit, skillfully captured in this translation, Seneca lampoons the ways we squander our time and fail to realize how precious it is. We don't allow people to steal our money, yet we allow them to plunder our time, or else we give it away ourselves in useless, idle pursuits. Seneca also describes how we can make better use of our brief days and years. In the process, he argues, we can make our lives longer, or even everlasting, because to live a real life is to attain a kind of immortality.A counterweight to the time-sucking distractions of the modern world, How to Have a Life offers priceless wisdom about making our time-and our lives-count"--

Diese Übersetzung wurde im Rahmen der Reihe "Römische Prosaiker in neuen Uebersetzungen" von J. M. Moser angefertigt und basiert auf Senecas Schrift "De clementia". Erschienen ist sie erstmals im Jahr 1828 im Verlag der J. B. Metzler'schen Buchhandlung. In dieser Neuausgabe wurde der Text vorsichtig der neuen Rechtschreibung angepasst und mit Seitenangaben zur Originalausgabe versehen.

A major writer and a leading figure in the public life of Rome, Seneca (c. 4BC-AD 65) ranks among the most eloquent and influential masters of Latin prose. This selection explores his thoughts on philosophy and the trials of life. In the Consolation to Helvia he strives to offer solace to his mother, following his exile in AD 41, while On the Shortness of Life and On Tranquillity of Mind are lucid and compelling explorations of Stoic thought. Witty and self-critical, the Letters - written to his young friend Lucilius - explore Seneca's struggle to acquire philosophical wisdom. A fascinating insight into one of the greatest minds of Ancient Rome, these works inspired writers and thinkers including Montaigne, Rousseau, and Bacon, and continue to intrigue and enlighten.

Seneca (c. 4-65 CE) devotes most of Naturales Quaestiones to celestial phenomena. In Book 1 he discusses fires in the atmosphere; in 2, lightning and thunder; in 3, bodies of water. Seneca's method is to survey the theories of major authorities on the subject at hand, so his work is a guide to Greek and Roman thinking about the heavens.

In 124 epistles Seneca (c. 4-65 CE) writes to Lucilius, occasionally about technical problems of philosophy, but more often in a relaxed style about moral and ethical questions, relating them to personal experiences. He thus presents a Stoic philosopher's thoughts about the good life in a contemporary context.

Seneca (ca. AD 4-65) authored verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists. Plots are based on myth, but themes reflect imperial Roman politics. John G. Fitch has thoroughly revised his two-volume edition to take account of scholarship that has appeared since its initial publication.

John G. Fitch's new Latin text of Seneca's play, Hercules Furens, is based on a collation of the chief manuscripts, including the Paris manuscript T.

This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.

The letters of Seneca are uniquely engaging; they offer an urgent guide to Stoic self-improvement but also cast light on Roman attitudes towards slavery, gladiatorial combat and suicide. This edition of a selection elucidates their language, literary style and distinctive approach to philosophy within their historical context.

Seneca's tragedy Agamemnon is a brilliantly rhetorical piece, written for the study rather than the stage. In this edition Professor Tarrant provides a much needed critical text. In his introduction he discusses the sources, dating, structure and mode of production of Agamemnon and Senecan drama in general, and includes a detailed survey of the manuscript tradition.

This volume offers clear and forceful contemporary translations of the most important of Seneca's 'Moral Essays': On Anger, On Mercy, On the Private Life and the first four books of On Favours. They give an attractive, full picture of the social and moral outlook of an ancient Stoic thinker intimately involved in the governance of the Roman empire in the mid first century of the Christian era. A general introduction describes Seneca's life and career and explains the fundamental ideas underlying the Stoic moral, social and political philosophy that informs the essays. Individual introductions, footnotes and biographical notes place the essays in their historical and philosophical contexts, and further assistance to students is provided by section headings in the translations which organize the principal transitions in the argument and the more unfamiliar aspects of Seneca's writing.

Living in Rome under Caligula and later a tutor to Nero, Seneca witnessed the extremes of human behaviour. His shocking and bloodthirsty plays not only reflect a brutal period of history but also show how guilt, sorrow, anger and desire lead individuals to violence. The hero of Hercules Insane saves his own family from slaughter, only to commit further atrocities when he goes mad. The horrifying death of Astyanax is recounted in Trojan Women, and Phaedra deals with forbidden love. In Oedipus a nervous man discovers himself, while Thyestes recounts the bitter family struggle for a crown. Of uncertain authorship, Octavia dramatizes Nero's divorce from his wife and her deportation. The only Latin tragedies to have survived complete, these plays are masterpieces of vibrant, muscular language and psychological insight.

Based on the legends used in Greek drama, Seneca's plays are notable for the exuberant ruthlessness with which disastrous events are foretold and then pursued to their tragic and often bloodthirsty ends. Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.