Bøker av Sherwood Anderson

Sherwood Anderson's short stories, beautifully crafted and evocative of time and place, were hugely influential in their day. The title story in this collection, 'Death in the Woods', is widely regarded as a masterpiece - the narrator looks back at an incident in his childhood where an old woman dies in the cold - in life she was destined to feed those around her, after her death, he feeds from her too.

No sooner did Winesburg, Ohio make its appearance than a number of critical labels were fixed on it: the revolt against the village, the espousal of sexual freedom, the deepening of American realism. Such tags may once have had their point, but by now they seem dated and stale. The revolt against the village (about which Anderson was always ambivalent) has faded into history. The espousal of sexual freedom would soon be exceeded in boldness by other writers. And as for the effort to place Winesburg, Ohio in a tradition of American realism, that now seems dubious. Only rarely is the object of Anderson's stories social verisimilitude, or the "photographing" of familiar appearances, in the sense, say, that one might use to describe a novel by Theodore Dreiser or Sinclair Lewis. Only occasionally, and then with a very light touch, does Anderson try to fill out the social arrangements of his imaginary town -- although the fact that his stories are set in a mid-American place like Winesburg does constitute an important formative condition.Set in the fictional town of Winesburg, Ohio, not to be confused with the actual Winesburg, which is based loosely on the author's childhood memories of Clyde, Ohio.

The book is set in the fictional town of Winesburg, Ohio (not to be confused with the actual Winesburg), which is based loosely on the author's childhood memories of Clyde, Ohio. No sooner did _Winesburg, Ohio_ make its appearance than a number of critical labels were fixed on it: the revolt against the village, the espousal of sexual freedom, the deepening of American realism. Such tags may once have had their point, but by now they seem dated and stale. The revolt against the village (about which Anderson was always ambivalent) has faded into history. The espousal of sexual freedom would soon be exceeded in boldness by other writers. And as for the effort to place _Winesburg, Ohio_ in a tradition of American realism, that now seems dubious. Only rarely is the object of Anderson's stories social verisimilitude, or the "photographing" of familiar appearances, in the sense, say, that one might use to describe a novel by Theodore Dreiser or Sinclair Lewis. Only occasionally, and then with a very light touch, does Anderson try to fill out the social arrangements of his imaginary town -- although the fact that his stories are set in a mid-American place like Winesburg does constitute an important formative condition.

Sherwood Anderson (1876-1941) was an American novelist and short story writer, best known for the short story sequence Winesburg, Ohio. Poor White is the story of an inventor who rises from poverty on the bank of the Mississippi River, showing the influence of industrialism on the rural heartland.

WITH A NEW INTRODUCTION BY SARA WHEELER'He was the father of my generation of American writers and the tradition of American writing' William FaulknerThis timeless cycle of short stories lays bare the life of a small town in the American Midwest.

A landmark work of American naturalism and a priceless chronicle of rural life, Winesburg, Ohio has been compared to the writings of Turgenev, Chekhov, Dreiser and Twain, and hugely influenced authors such as Steinbeck, Hemingway and Faulkner.

"Death in the Woods is a signal junction in Anderson's career and is to my mind one of the finest stories in our language." -Jim Harrison

Winesburg, Ohio (1919) is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small Ohio town at the end of the 19th century. At the centre is George Willard, a young reporter who becomes the confidant of the town's solitary figures. The book has influenced such major American writers as Hemingway, Faulkner, and Updike. This new edition corrects errors in earlier editions and takes into account major criticism and textualscholarship of the last several decades.